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| Marquise is a modern calligraphy and script font published by vatesdesign. |
Marquise is a jazzy calligraphic script for custom wedding invitations, save-the-date cards, baby shower invites, and personal branding. Based on classic shapes, it is designed to resemble natural handwriting with slight variations in tilt, baseline, swashes, and stroke width. Marquise has extended character set with Western European languages support
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| Designed by Monica Rizzolli and Tony de Marco, Just Pixo is a display font family. This typeface has eight styles and was published by Latinotype. |
Inspired by the streets of Brazil, Just Pixo is a display typeface that mimics pixação, Brazilian graffiti. In his book Pixação: São Paulo Signature, François Chastanet says, “This alphabet, with its vertical inscriptions axis, is to be directly classified in the king-size, monumental category; the systematic use of capitals, meticulously aligned and justified, their extreme verticality, are symptomatic of this architectural dimension”.
As such, we designed Just Pixo for monumental type sizes and vertical alignments—a family with seven weights, alternate glyphs, multiple ligatures and is provided as a Variable Font too. Unique decorative serif capitals and lowercase sans serif versions make Just Pixo the perfect option for large displays, strong headlines, urban logos, and contemporary concepts. Despite its controversial use on the streets, this often politically charged style will typeface will take your next project to the next level.
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| Amonos Display Font Family is a display sans font family. This typeface has eighteen styles and was published by Brenners Template. |
Amonos Display Font Family aims for a modern and simple lifestyle.
Sleek and stylish skeletons boast a unique style from thin to black weights.
Regardless of weights, 18 styles have special talents related to headings, subtitles and logos.
The understated metaphor and sense of stability is the best alternatives for creative typography.
Therefore, it supports stable dynamics beyond the biased simplicity of geometric fonts.
And some different Glyphs of oblique typefaces add to the delightful fun.
Enclosed Glyphs and Symbols will be so useful for editorial design.
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| Designed by Jakob Fischer, Gurgle Jock is a hand display font family. This typeface has two styles and was published by Bogstav. |
Gurgle Jock is actually two fonts in one: The Regular version is a classic handmade sans and the Outline version is…well, an outlined version of the Regular - however, I made it a bit off-grid and hasty scribbled looking. The two versions works well as they are and even greater together!
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| Designed by Juan Blanco, Ingeo is a display sans font family. This typeface has nine styles and was published by Blancoletters. |
Between the most rigid geometric letterforms and the most expressive calligraphy works there are, undoubtedly, countless combinatory possibilities. Ingeo is just one of them. Located very close to a geometric approach it shows, however, a clear willingness to accommodate in its structure the calligraphic traits of our alphabet. In Ingeo geometry grows from the inside, meaning that all its counters are based on geometric shapes. Around them, contours are later defined. The solid mass resulting from that interaction is modulated in specific areas in a way that evokes the way a writing hand finishes a letter and starts the following one. Ingeo seeks to accommodate calligraphic features in its geometric structure without any complexes, in the same way a computer engineer writes a song or a poet admires the orbits of planets and satellites. In this vast and unmapped realm between seemingly opposing concepts is where Ingeo finds its playground. There, that interaction is pushed to its limits and the resulting letterforms are later confronted with typographical conventions to assess whether they survive.
Ingeo comes with 695 glyphs in its character set with support for more than 270 languages. Among these glyphs you can find 5 stylistic sets, 19 useful science-related icons as well as 7 different designs for ampersands.
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| Designed by Jakob Fischer, Gurgle Jock is a hand display font family. This typeface has two styles and was published by Bogstav. |
Gurgle Jock is actually two fonts in one: The Regular version is a classic handmade sans and the Outline version is…well, an outlined version of the Regular - however, I made it a bit off-grid and hasty scribbled looking. The two versions works well as they are and even greater together!
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| Designed by Juan Blanco, Ingeo is a display sans font family. This typeface has nine styles and was published by Blancoletters. |
Between the most rigid geometric letterforms and the most expressive calligraphy works there are, undoubtedly, countless combinatory possibilities. Ingeo is just one of them. Located very close to a geometric approach it shows, however, a clear willingness to accommodate in its structure the calligraphic traits of our alphabet. In Ingeo geometry grows from the inside, meaning that all its counters are based on geometric shapes. Around them, contours are later defined. The solid mass resulting from that interaction is modulated in specific areas in a way that evokes the way a writing hand finishes a letter and starts the following one. Ingeo seeks to accommodate calligraphic features in its geometric structure without any complexes, in the same way a computer engineer writes a song or a poet admires the orbits of planets and satellites. In this vast and unmapped realm between seemingly opposing concepts is where Ingeo finds its playground. There, that interaction is pushed to its limits and the resulting letterforms are later confronted with typographical conventions to assess whether they survive.
Ingeo comes with 695 glyphs in its character set with support for more than 270 languages. Among these glyphs you can find 5 stylistic sets, 19 useful science-related icons as well as 7 different designs for ampersands.
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| Designed by Kimberly Geswein, KG Holocene is a display, grunge and typewriter font published by Kimberly Geswein Fonts. |
A stamped type font. Maybe your typewriter is broken and just types like this. Maybe you’re just a quirky gal. Either way, this is that thing.
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| Designed by Kimberly Geswein, KG Holocene is a display, grunge and typewriter font published by Kimberly Geswein Fonts. |
A stamped type font. Maybe your typewriter is broken and just types like this. Maybe you’re just a quirky gal. Either way, this is that thing.
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| Designed by Robby Woodard, Quirkwood is a western font family. This typeface has thirteen styles and was published by Canada Type. |
This was Robby Woodard’s pandemic project. During all the craziness and uncertainty surrounding lockdowns and work-from-home mandates, the veteran designer decided to revisit the classic Egyptienne/Italienne/French Clarendon aesthetic and make it his very own with two extra spoons of fun and a generous dollop of cheer. Quirkwood is what we have after his typographic bender, and we believe our world is all the better for it. This is a spaghetti western with Shazam and Wile E. Coyote cast in prominent starring roles, a bluegrass album of Edith Piaf covers.
By reconfiguring a classic archetype’s DNA and introducing new quirks to it, Robby presents a uniquely sunny and wholesome character with this typeface. The common reverse-stress-slab treatment goes a long way for sure, but there are also plenty of unusual elements working hard in the background here: Ball endings harmonizing with thick soft rectangles, diagonals cutting light into thick softnesses, eager open midsections guiding the eyeballs, strokes thickening into curled serifs just short of swashing out, and giddy extenders bopping along to an eccentric beat.
Quirkwood offers plenty more bells and whistles: Contrast and weight variants, chromatic colour possibilities in layering, stylistic and contextual alternates, small caps, standard and discretionary ligatures, and other OpenType features.
The future is quirky, and we all need cheering up these days. So design accordingly and brighten up someone’s day.
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| Designed by Salih Kizilkaya, SK Moreau is a sans serif font family. This typeface has twelve styles and was published by Salih Kizilkaya. |
SK Moreau is a sans serif font named after the famous science fiction novel “The Island of Doctor Moreau” written by H. G. Wells. This font family includes a total of 12 fonts and 7812 glyphs. In this way, it contains all the typographic elements you will need in your designs.
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| Designed by Rahmat Hidayat, Beautiful Calligraphy is a modern calligraphy and script font published by RtCreative. |
Beautiful Calligraphy Modern Calligraphy. This font was designed by handwriting, and it has a modern and unique forms of calligraphy, the writing style is very natural.
The Features of this fonts is;
* Standart ligatures
* Stylistic Alternates
* Contextual Alternates
* Stylistic sets
File font Beautiful Calligraphy Include;
* Beautiful Calligraphy OTF
* Beautiful Calligraphy TTF
* Beautiful Calligraphy font Web
* Beautiful Calligraphy PUA Unicode (Private Use Areas)
Programs that support in this font is a Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office.
Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.
Price:$13
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| Designed by Md. Shohail Bhuiyan, Take Chances is a hand drawn font published by Seemly Fonts. |
Take Chances is a neat, friendly and cool handwritten font, that can be used for all chalkboard quotes or teaching material! Its authentic handwritten look and feel will add a personal and realistic feel to your designs.
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
