Tuesday, May 18, 2021

Ingeo fonts from Blancoletters - (zndgv)

Ingeo
Designed by Juan Blanco, Ingeo is a display sans font family. This typeface has nine styles and was published by Blancoletters.


Between the most rigid geometric letterforms and the most expressive calligraphy works there are, undoubtedly, countless combinatory possibilities. Ingeo is just one of them. Located very close to a geometric approach it shows, however, a clear willingness to accommodate in its structure the calligraphic traits of our alphabet. In Ingeo geometry grows from the inside, meaning that all its counters are based on geometric shapes. Around them, contours are later defined. The solid mass resulting from that interaction is modulated in specific areas in a way that evokes the way a writing hand finishes a letter and starts the following one. Ingeo seeks to accommodate calligraphic features in its geometric structure without any complexes, in the same way a computer engineer writes a song or a poet admires the orbits of planets and satellites. In this vast and unmapped realm between seemingly opposing concepts is where Ingeo finds its playground. There, that interaction is pushed to its limits and the resulting letterforms are later confronted with typographical conventions to assess whether they survive.

Ingeo comes with 695 glyphs in its character set with support for more than 270 languages. Among these glyphs you can find 5 stylistic sets, 19 useful science-related icons as well as 7 different designs for ampersands.



Ingeo


KG Holocene fonts from Kimberly Geswein Fonts - (crzam)

KG Holocene
Designed by Kimberly Geswein, KG Holocene is a display, grunge and typewriter font published by Kimberly Geswein Fonts.


A stamped type font. Maybe your typewriter is broken and just types like this. Maybe you’re just a quirky gal. Either way, this is that thing.



KG Holocene


Monday, May 17, 2021

KG Holocene fonts from Kimberly Geswein Fonts - (tfqvf)

KG Holocene
Designed by Kimberly Geswein, KG Holocene is a display, grunge and typewriter font published by Kimberly Geswein Fonts.


A stamped type font. Maybe your typewriter is broken and just types like this. Maybe you’re just a quirky gal. Either way, this is that thing.



KG Holocene


Quirkwood fonts from Canada Type - (wgbbc)

Quirkwood
Designed by Robby Woodard, Quirkwood is a western font family. This typeface has thirteen styles and was published by Canada Type.


This was Robby Woodard’s pandemic project. During all the craziness and uncertainty surrounding lockdowns and work-from-home mandates, the veteran designer decided to revisit the classic Egyptienne/Italienne/French Clarendon aesthetic and make it his very own with two extra spoons of fun and a generous dollop of cheer. Quirkwood is what we have after his typographic bender, and we believe our world is all the better for it. This is a spaghetti western with Shazam and Wile E. Coyote cast in prominent starring roles, a bluegrass album of Edith Piaf covers.

By reconfiguring a classic archetype’s DNA and introducing new quirks to it, Robby presents a uniquely sunny and wholesome character with this typeface. The common reverse-stress-slab treatment goes a long way for sure, but there are also plenty of unusual elements working hard in the background here: Ball endings harmonizing with thick soft rectangles, diagonals cutting light into thick softnesses, eager open midsections guiding the eyeballs, strokes thickening into curled serifs just short of swashing out, and giddy extenders bopping along to an eccentric beat.

Quirkwood offers plenty more bells and whistles: Contrast and weight variants, chromatic colour possibilities in layering, stylistic and contextual alternates, small caps, standard and discretionary ligatures, and other OpenType features.

The future is quirky, and we all need cheering up these days. So design accordingly and brighten up someone’s day.



Quirkwood


SK Moreau fonts from Salih Kizilkaya - (csdzq)

SK Moreau
Designed by Salih Kizilkaya, SK Moreau is a sans serif font family. This typeface has twelve styles and was published by Salih Kizilkaya.


SK Moreau is a sans serif font named after the famous science fiction novel “The Island of Doctor Moreau” written by H. G. Wells. This font family includes a total of 12 fonts and 7812 glyphs. In this way, it contains all the typographic elements you will need in your designs.



SK Moreau


Beautiful Calligraphy fonts from RtCreative - (lbjwy)

Beautiful Calligraphy
Designed by Rahmat Hidayat, Beautiful Calligraphy is a modern calligraphy and script font published by RtCreative.


Beautiful Calligraphy Modern Calligraphy. This font was designed by handwriting, and it has a modern and unique forms of calligraphy, the writing style is very natural.

The Features of this fonts is;

  * Standart ligatures
  * Stylistic Alternates
  * Contextual Alternates
  * Stylistic sets

File font Beautiful Calligraphy Include;

  * Beautiful Calligraphy OTF
  * Beautiful Calligraphy TTF
  * Beautiful Calligraphy font Web
  * Beautiful Calligraphy PUA Unicode (Private Use Areas)

Programs that support in this font is a Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office.

Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.
Price:$13



Beautiful Calligraphy


Saturday, May 15, 2021

Take Chances fonts from Seemly Fonts - (iivdx)

Take Chances
Designed by Md. Shohail Bhuiyan, Take Chances is a hand drawn font published by Seemly Fonts.


Take Chances is a neat, friendly and cool handwritten font, that can be used for all chalkboard quotes or teaching material! Its authentic handwritten look and feel will add a personal and realistic feel to your designs.



Take Chances


SK Clarke fonts from Salih Kizilkaya - (bcsoj)

SK Clarke
Designed by Salih Kizilkaya, SK Clarke is a sans serif font family. This typeface has twenty styles and was published by Salih Kizilkaya.


SK Clarke is a font designed in memory of the famous inventor and science fiction writer Arthur C. Clarke. Clarke is a geometric sans serif font family.

It offers full support for the Latin, Greek and Cyrillic alphabets and supports many different languages. This font family includes a total of 20 fonts and 17,820 glyphs, so it contains all the typographic materials you will need in your designs.



SK Clarke


Metropola fonts from Tour de Force Font Foundry - (sstsq)

Metropola
Designed by Dusan Jelesijevic, Metropola is a display serif font family. This typeface has five styles and was published by Tour de Force Font Foundry.


Metropola is font family with 4 classic weights and variable version for those of you with specific visual appetite. Inspired with typefaces from Victorian era, Metropola carry out it’s display characteristics and works equally well as typefaces for longer texts even it is not Metropola’s main area of usage. Beside extended Latin character map, Metropola is equipped with Cyrillic set. Each weight contains dingbats and Open Type features such as Swashes, OldStyle numerals, Ligatures and Fractions.



Metropola


Thursday, May 13, 2021

Metropola fonts from Tour de Force Font Foundry - (euzig)

Metropola
Designed by Dusan Jelesijevic, Metropola is a display serif font family. This typeface has five styles and was published by Tour de Force Font Foundry.


Metropola is font family with 4 classic weights and variable version for those of you with specific visual appetite. Inspired with typefaces from Victorian era, Metropola carry out it’s display characteristics and works equally well as typefaces for longer texts even it is not Metropola’s main area of usage. Beside extended Latin character map, Metropola is equipped with Cyrillic set. Each weight contains dingbats and Open Type features such as Swashes, OldStyle numerals, Ligatures and Fractions.



Metropola


Organic Tuesday fonts from Bogstav - (xbsyq)

Organic Tuesday
Designed by Jakob Fischer, Organic Tuesday is a brush display font family. This typeface has two styles and was published by Bogstav.


Sometimes you need things organised in a neat way. Organic Tuesday has that, but also a will to break free at the same time.
Years ago I was at a restaurant where the menu was handwritten with a clumsy, but characteristic and charming, monospaced font. I must have focused so much on these letters that I can’t recall what I actually ate. But what I do remember is that it was a Tuesday, and the restaurant was organic!



Organic Tuesday


Arsenica fonts from Zetafonts - (tphmt)

Arsenica
Designed by Francesco Canovaro, Andrea Tartarelli, Cosimo Pancini and Mario De Libero, Arsenica is a display serif font family. This typeface has forty-three styles and was published by Zetafonts.


Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini.

The design of Arsenica takes its inspiration from Italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like “Il Popolo d’Italia”.

Starting from this mix of eclectic influences, Canovaro first developed the Arsenica Antiqua family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, Arsenica Display family, expanding the weight range to include both poster, ultra-bold weights and lighter weights that give the design a distinct calligraphic flavour. Bringing the letterforms into contemporary taste meant also developing alternate letterforms that were included in the Arsenica Alternate family, that drops the art nouveau details in favour of a more controlled modern serif aesthetic. Finally, Arsenica Text was developed by expanding the design space in the optical size axis, creating a low contrast, strongly readable old style typeface family, with a reduced weight set, oriented for long body copy typesetting.

The final result is a superfamily of 41 weights, covering the design space with an expanded charset of over 900 glyphs, with full coverage of over 200 languages using latin and Cyrillic alphabets. All the weights of Arsenica come with a full set of open type features allowing to explore its vintage-inspired visual inventions thanks to stylistic sets, discretionary ligatures, contextual alternates and positional numbers. Two variable typefaces are included in the full family, allowing you to explore the design space and precisely control not only the weight but also the optical size design variations.


• Suggested uses: perfect for elegant modern branding and logo design, fascinating editorial design, expressive packaging and countless other projects.


• 43 styles: 7 weights + 7 italics, 4 different styles + 2 variable fonts.


• 942 glyphs in each weight.


• Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Oldstyle Figures, Ordinals, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Stylistic Set 9, Slashed Zero.


• 216 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük.



Arsenica


Wednesday, May 12, 2021

Arsenica fonts from Zetafonts - (ozghy)

Arsenica
Designed by Francesco Canovaro, Andrea Tartarelli, Cosimo Pancini and Mario De Libero, Arsenica is a display serif font family. This typeface has forty-three styles and was published by Zetafonts.


Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini.

The design of Arsenica takes its inspiration from Italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like “Il Popolo d’Italia”.

Starting from this mix of eclectic influences, Canovaro first developed the Arsenica Antiqua family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, Arsenica Display family, expanding the weight range to include both poster, ultra-bold weights and lighter weights that give the design a distinct calligraphic flavour. Bringing the letterforms into contemporary taste meant also developing alternate letterforms that were included in the Arsenica Alternate family, that drops the art nouveau details in favour of a more controlled modern serif aesthetic. Finally, Arsenica Text was developed by expanding the design space in the optical size axis, creating a low contrast, strongly readable old style typeface family, with a reduced weight set, oriented for long body copy typesetting.

The final result is a superfamily of 41 weights, covering the design space with an expanded charset of over 900 glyphs, with full coverage of over 200 languages using latin and Cyrillic alphabets. All the weights of Arsenica come with a full set of open type features allowing to explore its vintage-inspired visual inventions thanks to stylistic sets, discretionary ligatures, contextual alternates and positional numbers. Two variable typefaces are included in the full family, allowing you to explore the design space and precisely control not only the weight but also the optical size design variations.


• Suggested uses: perfect for elegant modern branding and logo design, fascinating editorial design, expressive packaging and countless other projects.


• 43 styles: 7 weights + 7 italics, 4 different styles + 2 variable fonts.


• 942 glyphs in each weight.


• Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Oldstyle Figures, Ordinals, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Stylistic Set 9, Slashed Zero.


• 216 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük.



Arsenica