Augusta Torino Ornaments is a dingbat font published by Intellecta Design.
Classic art deco ornaments digitized from the font catalogues of “Società Augusta Torino”, also Nebiolo Fundicion, one of the most important european extinct typefoundry from last century. Soon, more fonts of that collection. A partnership font between Intellecta Design and Monocracy Types (Paulo W).
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| Designed by Pedro Teixeira, Ungap Blocks is a display sans font published by Pedro Teixeira. |
Ungap Blocks
This font was designed by blocks, square glyphs, by Pedro Teixeira Foundry
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| Designed by Hendry Juanda, Blue Jones is a hand display and script font published by Letterhend Studio. |
Introducing, Blue Jones - Display brush typeface. This type of font perfectly made to be applied especially in headlines which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- numbers and punctuation
- multilingual
- ligatures
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Designed by Paulo Goode, Rodia is a sans serif font family. This typeface has eighteen styles and was published by Paulo Goode. |
Rodia is an Oddball Geometric Sans typeface consisting of nine weights in both roman and oblique. It’s a geometric sans with a twist that’s perfect for branding and identity projects – it will also give your body text a unique voice. Inspiration came from the iconic “RADIO” signage that was once in place at 5041, Pico Boulevard, Los Angeles in 1985 (documented at https://tinyurl.com/y2krt2ox).
With its distinctive leg, the /R/ provides a personality trait to define the style of the character set. You can clearly see how this characteristic separates Rodia from other geometric sans families – the /k/v/w/x/y/K/R/V/W/X/Y/ glyphs all display the distinctive ‘feet’ and ‘hands’ as terminals to legs and arms. Then there is the /A/ with its triangular crossbar – this triangular motif has been used to embellish alternates in Stylistic Set 1 for /A/E/F/G/H/Q/S/ glyphs. These will add another layer of versatility for your typographic projects.
Rodia features an extensive character set covering all Latin European languages.
Key features:
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| Designed by Marconi Lima, Obvia Narrow is a sans serif font family. This typeface has nine styles and was published by Typefolio Digital Foundry. |
‘Obvia’ appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow, Normal, Wide and Expanded. The idea behind ‘Obvia’s design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a ‘geohumanist’ tone to the font. This first family of ‘Obvia’ has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.
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| Download Obvia Narrow Fonts Family From Typefolio Digital Foundry |
Designed by Jakob Fischer, Imaginary Cash is a hand display and hand drawn font family. This typeface has two styles and was published by Pizzadude.dk.
Here’s Imaginary Cash - it features a full set of crusty upper- and lowercase letters, as well as ligatures for the most common double-letters (bb, cc, dd, ee, ff, gg, hh, kk, ll, mm, nn, oo, pp, rr, ss, tt, ww, xx and zz) Included is also multilingual support.
It is definitely a comic font - but you tell me…does it also have a bit of horror in it?
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| Designed by Lazar Dimitrijević, Panorama KG is a display sans font published by Posterizer KG. |
Panorama KG is a black display font. The starting idea was to design letters that stand on the horizon. For that reason, the descenders are extremely short, and the elements of the letters lying on the baseline are cutten, the horizontal strokes are lowered ... These characteristics should reduce the spacing and emphasize the compactness of densely composed titles and shorter text forms. Panorama KG was designed specifically for headlines, logotypes, branding, and similar applications… Due to the characteristics that are in function only in the bold version, it did not make sense to make more styles or family, but Panorama KG can be combined with many other serif and sans serif typefaces.
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| Download Panorama KG Fonts Family From Posterizer KG |
Designed by Jakob Fischer, Friendly Yellow is a hand display and hand drawn font family. This typeface has four styles and was published by Pizzadude.dk.
Friendly Yellow is my sketchy/scratchy handmade sans font. I’ve made several layers for you to play around with, in order to get that feel-good handmade-sketch-font-look! I’ve also added ligature substitution for the most common double letters
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| Designed by Gaston Fuoco, Hejira is a display serif font family. This typeface has four styles and was published by Sudtipos. |
Hejira means “rupture” and this concept was the primary principle that guided the creation of this typeface: to escape conventions and take up the challenge of designing letters with an unusual and fresh approach.
Unlike traditional typefaces, each member of this somewhat atypical family has its own distinct personality and formal features. A thin, spiky font that looks like its sharp serifs could pierce through. A more experimental sibling, based on the same skeleton but taken to the extreme, that is best suited to setting big titles. An odd-one-out, sans-serif style whose shapes mimic those generated by the movement of a calligraphic pen. And a quirky fat-face with a flair for combining round curves with pointy elements. Regardless of how different they may be, all four styles feel part of the same system and can be used alongside each other seamlessly.
The Hejira set includes multiple ligatures and supports a wide variety of Latin alphabet-based languages.
Designed by Hannes von Döhren, Bouba Round is a sans serif font family. This typeface has twelve styles and was published by HVD Fonts.
Bouba Round is more than it seems on first sight. It combines the best of two worlds, having an expressive character with its round and friendly shapes and performing great in every typographic aspect. The type family is a true workhorse, ready for serious typography. Creating a round typeface with a great reading experience has been our guiding principle throughout the design process — Bouba Round needed to work in small sizes and long text as well as in Headlines.
To ensure a great reading experience in most languages, Bouba Round has a huge language support including nearly all latin based languages, Greek and Cyrillic. On top of an extensive language support, Bouba Round is loaded with a lot of icons, arrows and graphic elements for modern UI/UX design. Bouba Round will also be distributed in the variable font format with every complete family purchase, allowing you to control the weight and interpolate intermediate styles.
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| Designed by Marconi Lima, Obvia Condensed is a sans serif font family. This typeface has nine styles and was published by Typefolio Digital Foundry. |
‘Obvia’ appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow, Normal, Wide and Expanded. The idea behind ‘Obvia’s design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a ‘geohumanist’ tone to the font. This first family of ‘Obvia’ has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.
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| Designed by Nasir Udin and Haidi Shabrina, Opheline is a display serif and serif font family. This typeface has nine styles and was published by Nasir Udin. |
Opheline is modern display serif family of 9 fonts. The family consists of 9 weights, ranging from thin to black. The thin version reflects elegance and soft texture, while the black version represents modern and strong appearance.
The vast range of Opheline family will help you to tackle your designs problem that need professional or classical touch; from the professional-look branding of law firm to classic-historical product branding.
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| Designed by Hendry Juanda, Sunshine Valley Script is a modern calligraphy and script font published by Letterhend Studio. |
Introducing, Sunshine Valley Script - a romantic monoline script. A simple hand writing with natural signature style. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates and ligatures
- swashes
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Download Sunshine Valley Script Fonts Family From Letterhend Studio |
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
