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| Designed by Alex Etewut, Geraldica is a script font published by Etewut. |
Introducing Geraldica.
Monoline script supports foreign languages and has special characters as ß, ñ, ç, etc.
Font set has 381 symbols including alternates with different calligraphic swashes.
Enjoy it!
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| Download Geraldica Fonts Family From Etewut |
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| Designed by Måns Grebäck, Kanvas is a brush script, modern calligraphy and script font family. This typeface has five styles and was published by Måns Grebäck. |
Kanvas is a flowing calligraphy script.
The typeface was drawn and created by Måns Grebäck between 2017 and 2020.
Its flowing shapes are inherited from mid-century advertising, being soft and friendly while retaining a sturdy forward movement.
Kanvas is a typeface family consisting of five weights: Thin, Light, Regular, Bold and Black.
Use it for an invitation card, in a celebratory context or as a logotype.
The font contains all characters you’ll ever need, including all punctuation and numbers.
It has an extensive lingual support, covering all European Latin-based scripts.
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| Download Kanvas Fonts Family From Måns Grebäck |
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| Designed by Connary Fagen, Olivette CF is a display sans font family. This typeface has twelve styles and was published by Connary Fagen Type Design. |
With an extreme stroke contrast and wide, spacious construction, Olivette blends understated minimalism with elegance and expression. Olivette’s fine details shine at large sizes on screen and in print.
Olivette CF pairs well with simple typefaces, set at smaller sizes, such as Greycliff CF and Artifex Hand CF. The key is to let Olivette breathe, setting it at large sizes with plenty of open space.
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| Download Olivette CF Fonts Family From Connary Fagen Type Design |
Designed by Ricardo Marcin and Erica Jung, Pain de Mie is a hand display font published by PintassilgoPrints.
Pain de Mie is a soft font, friendly and sweet, kinda creamy, kinda bubbly.
It’s an all caps font with 2 different glyphs for each letter: easily access these through the keyboard upper or lower cases keys. Make them cycle with OpenType Contextual Alternates. There’s also a handful of drawings to add an extra charm here and there. Reach these via OpenType Ornaments or pick your choices through a glyphs palette.
Like a fresh loaf of bread, Pain de Mie goes well in so many ways. Give it a try!
Designed by Jakob Fischer, Sunshine Formula is a display sans and hand display font family. This typeface has two styles and was published by Pizzadude.dk.
Imagine having a formula for sunshine. I mean, in a way to make the sun shine when you want it, or really need it. That could be for a day at the beach, or for the plants in your garden - or even better: make someone happy with a little bit of sunshine!
I made this font on the first day of summer in Denmark 2020 - the rounded corners and the soft and easy look of Sunshine Formula, really got me into the “this-is-going-to-be-a-great-summer” mode! :)
Mayaglyph is a display sans font family. This typeface has two styles and was published by Parker Creative.
Introducing Mayaglyph, a modern typeface inspired by the hieroglyphics left behind by the Ancient Mayan civilization. Every character in Mayaglyph is manually created with hand-drawn markings for consistency and balanced visuals, including diacritic marks, symbols, and more!
Each character in Mayaglyph is distinctly imperfect in its own way, just as if it was taken right off an ancient stone. Also included is a ‘solid’ background version, which is ideal for creating beautiful multi-layer designs.
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| Designed by Carine de Wandeleer, Aulas is a display serif and serif font published by Eurotypo. |
Aulas’s design is inspired by an ancient Roman typeface. This font is characterised by the strength of its characters, in addition to its predominant height of “x”, as well as the ascending and descending, with particularly short strokes. Aulas includes more than 200 alternative glyphs (swashes, stylistics sets, stylistics alternates), more than 70 ligatures, and a set of more than 30 ornaments, very easy to combine with the rest of the letters.
This font offers good readability in small sizes, for use in editorial design, newsletters, and print. The strong personality of its glyphs is well suited to headlines.
Designed by Philip Lammert, Slandic is a hand display, hand drawn and script font family. This typeface has seven styles and was published by Vibrant Types.
Headlines are transformed into clear-cut messages with the handwriting type family Slandic. Its robust appeal combines the elegance of script typefaces with the lightness of handwritten notes.
What makes the Slandic so playful is the synergy between the quite narrow lowercase letters and the wide uppercase letters. Therefore it might rather be an upright chancery italic of a humanist sans. You can see it very clearly in its sharp upward angles and its long-limbed ascenders. Its visual appeal sets a reliable tone. It is precisely balanced with a solid stroke contrast and confidently angular-shaped curves.
Slandic perfectly enhances exciting contrasting typography adding a personal note without giving it a comic spin.
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| Designed by Ellen Luff and Tom Watkins, Ardela Edge Custom Type Family is a display sans and stencil font family. This typeface has sixty-six styles and was published by Ellen Luff. |
The altered cut glyphs feature as the capitals of the font; to sample the cuts and ligatures type in ALL CAPS in the Typetester.
This new custom type bundle contains 66 fonts in three different font styles - X01, X02, X03
Ardela Edge is OpenType in complete overdrive, helping to create modern type that looks like bespoke typography.
It’s a stylised geometric sans serif family with extreme cuts, sharp angles and interactive ligatures. Affected characters are spread across the three upper-case only subfamilies, with distinct styles, and different personalities. The bold character breaks and considered ligatures create edgy, modern, exciting type.
These three styles create thousands of combinations with options from super minimal to the more experimental. This is a hands on designer package, that takes advantage of OpenType and helps people to achieve a totally custom look. It’s perfect for logos, branding projects, headlines, posters and anything you want to add edge too or some custom flair.
Available in 9 weights and as a variable font, with matching italic and outline faces, - 66 fonts in total, each one containing over 550 glyphs. - Full European latin based language support.
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| Download Ardela Edge Custom Type Family Fonts Family From Ellen Luff |
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| Designed by Francesco Canovaro and Andrea Tartarelli, Eastman is a sans serif font family. This typeface has forty-two styles and was published by Zetafonts. |
Eastman was designed in 2020 for Zetafonts by Francesco Canovaro and Andrea Tartarelli with help from Solenn Bordeau. It is a geometric sans workhorse family developed for maximum versatility both in display and text use, with a wide weight range and a solid monolinear design featuring a tall x-height that makes Eastman extremely readable on paper and on the screen.
Influenced by Bauhaus ideals and contemporary minimalism, but with a nod to the pragmatic nature 19th century grotesques, Eastman has been developed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs - from a wide language coverage (thanks to over one thousand and two hundred latin, Cyrillic and Greek characters) to a complete set of open type features (including small capitals, positional numbers, case sensitive forms).
An impressive array of alternate characters and stylistic sets allows to fine-tune your editorial and branding design by choosing unique, logo-ready variant letter shapes. The twenty weights of the base family have been complemented by a display-oriented alternate family, as well as one variable version, bringing the full family to an impressive count of 41 fonts. Eastman excels in both body text, headings and word-marks and it is your new option for a universal geometric grotesque.
Designed by Jakob Fischer, Spoiler is a brush display and hand display font family. This typeface has two styles and was published by Pizzadude.dk.
Now here’s a font that won’t spoil anything!
It’s my ALL CAPS brush font with slightly uneven and quirky lines. Just enough to make font look lively and fresh, but not overdoing it. Every letter has 7 different versions, which automatically cycles as you type - and I have added an extra SMALL CAPS for each letter. Exchange every letter here and there with SMALL CAPS, and you will get an even more authentic result!
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| Designed by David Kerkhoff, Breakfast Noodles is a hand display font family. This typeface has two styles and was published by Hanoded. |
I used to be a tour guide and spent a lot of time in Asia. One thing that I really liked, was having noodles, ANY kind of noodles, for breakfast!
Breakfast Noodles is a very uncomplicated headline font: I made it while seriously renovating our ‘new’ home (a fixer upper farm), which means that this particular font was made over a period of almost 3 months… It wasn’t exactly a letter at a time, but close.
I will try and make the next font in, say, under two months… Hopefully!
In the meantime, enjoy this one!
Designed by Keith Bates, Possible is a display font family. This typeface has twenty styles and was published by K-Type.
The POSSIBLE typeface is supplied in two equally plausible states – Possible Sans and Possible Serif. The two families are identical, only the name is changed and the downloads include both classifications. Possible Sans is a sans-serif impersonating a spur serif, and Possible Serif is a glyphic with the look and feel of a sans. Possible is either, and either is possible.
This clean, contemporary typeface is inspired by Percy J Delf Smith’s ’Petit Serif’ from 1928, and similarly takes inspiration from Johnston’s Underground, though more recent influences provide geometric and humanist elements that, together with the micro-serifs, improve clarity and legibility.
Spur serifs such as Petit Serif, Copperplate and Liberty are often caps-only fonts, but Possible contains a lowercase, as well as a full Latin Extended-A character set.
Possible is available in five weights – Thin, Light, Regular, Medium and Bold – each with a corresponding, optically-corrected italic.
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
