Designed by Jordan Davies, Video Black is a sans serif font published by Wooden Type Fonts. |
Black Sans Serif
Designed by Jordan Davies, Video Black is a sans serif font published by Wooden Type Fonts. |
Black Sans Serif
Designed by Bülent Yüksel, Perspective Sans is a multiple classification font collection published by Bülent Yüksel. |
The font primarily had a strong body. Family has a four layered experience. All and in harmony.
This font has a strong personality, that makes it perfect for use in headline sizes. Also use for print, motion graphics, logo design, packaging design, t-shirts and more.
By using layers, you can design different colors and sizes by repositioning lights and shadows. This will allow you to take your designs to the next level.
Using this unique font, you’ll have a lot of fun and produce beautiful materials.
You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support.
There is nothing as satisfying as to do a good quality and properly job.
You can enjoy using it.
Designed by Moritz Kleinsorge, Allrounder Grotesk is a sans serif font family. This typeface has twenty styles and was published by Moritz Kleinsorge. |
Meet Allrounder Grotesk, a decent and modest font and the first member of the multipurpose Allrounder superfamily.
A workhorse that lives up to its name, Allrounder Grotesk consists of ten weights ranging from a delicate Air to a powerful Black with 900+ glyphs per font. Each weight is accompanied by carefully hand-corrected italics.
The sans serif typeface supports more than 200 latin-based languages, containing the complete “LatinPlus” glyph set developed by underware. It also provides you with plenty of OpenType features and additional goodies: small capitals, ten sets of figures, case-sensitive forms, ligatures, superiors, fractions and arrows. Equipped like this, you’ll be ready for any kind of high quality typesetting scenario you might encounter.
The multitalented typeface was developed from 2018 to 2020 by Moritz Kleinsorge. It lays the foundation for Kleinsorge’s Allrounder superfamily, a series of typefaces sharing the same color and horizontal metrics (cap height, small cap height and x-height). The aim of this series is to create a typesetting system whose components matches perfectly chime together. See the Grotesk as the first part of a design kit: every serif typeface that will follow in the future, the Grotesk will be a reliable base for mixing these typefaces.
Complementing Allrounder Grotesk, you will soon find Allrounder Serif, a Renaissance Antiqua whose design informed its Grotesk counterpart. While the construction principles of these two font families are completely independent from each other, they still harmonize due to sharing some key characteristics, such as metrics and color.
In any kind of design, in any type of medium, working with Allrounder Grotesk is effortless. That’s why Allrounder got its name.
Stay tuned for more.
Designed by Novia Jonatan, Glodok is a display serif and retro font published by Novia Jonatan. |
Glodok is serif with a bit of quirk. Perfectly suited for any display use.
Designed by Jakob Fischer, Peanut Slap is a hand display font family. This typeface has three styles and was published by Pizzadude.dk. |
I eat peanut butter almost daily - and I love it! I hope you too like the healthy peanut butter - you know, the kind without any added sugar! I also hope you like this font - it could help your designs stand out in a true handmade-looking mode! Mix the different versions of Peanut Slap for great results!
Designed by Craig Stainton, SB Unica is a display sans font family. This typeface has two styles and was published by SelfBuild Type Foundry. |
SB Unica is a geometrically constructed sans serif designed for display use. It has a smooth, elegant quality that lends itself to projects based around the themes of beauty and health. It also works well for luxury items, perhaps for food packaging, hospitality or service branding.
Designed by Vika Usmanova, Phillip Nurullin and Antonina Zhulkova, TT Runs is a sans serif font family. This typeface has twenty styles and was published by Typetype. |
The TT Runs project started with a fairly simple idea—to create a wide modern sans-serif, which will reflect the sporty style and look good on sportswear. Before proceeding to sketching, we examined the theme of Olympic venues and their identities, and also traced the evolution of “sports” typefaces through different eras and continents.
In the end, we came up with the idea of making a typeface that is targeted for application to elastic sports outfits or casual sportswear. This decision has greatly influenced the appearance of the wide and slightly stretched proportions in our typeface, the appearance of the reversed contrast of the shape of some characters relative to the vertical line and their deformation, and the overall of the letters.
TT Runs is very versatile: on the one hand, it is a regular sans-serif that can be used even in a large text array, and on the other hand, it is a bright display typeface with irregular proportions of characters that looks great even in large headings.
A striking feature of the typeface is the difference between the top and bottom, the so-called inverse contrast of the shape relative to the vertical line, which is especially noticeable in uppercase characters (for example, in the letters K, C, S, R). In lowercase characters, everything is calmer and more traditional, the reverse contrast of the forms relative to the vertical line is greatly softened and almost invisible.
The main visual features of the typeface also include a large vertical height of lowercase characters. Moreover, the bolder the weight of the style, the taller the height of the lowercase character becomes. In addition, when the DemiBold weight is reached, the design of some characters changes, for example, a vertical stroke in bold for characters with a dot at the top bends into an arc.
TT Runs consist of 20 styles: 9 upright & 9 obliques, plus 2 variable fonts, each of which includes 739 glyphs. In addition to the broad language coverage in the typeface, you can find a bunch of useful OpenType features. Stylistic alternates, standard and discretionary ligatures, old-style figures, numbers in circles, arrows and much more. Full OpenType list of features: ordn, case, frac, sinf, sups, numr, dnom, onum, tnum, pnum, lnum, dlig, liga, calt, locl, salt, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ccmp, subs.
Designed by David Kerkhoff, Chillerz is a hand drawn font family. This typeface has two styles and was published by Hanoded. |
I was doodling away on a piece of paper, when I noticed that the weird letters I was producing were in fact a nice font. So, I decided to build it!
Chillerz is a lovely, messy handmade script font. It comes with double letter ligatures, a healthy attitude and a relaxed fit.
Designed by Alfonso García, Spirits is a serif font family. This typeface has twelve styles and was published by Latinotype. |
Spirits design was initially based on Hermann Ihlenburg’s Schoeffer Old Style from the 1912 ATF catalog. Soft is the closest version to the printed original typeface. Neutral, with more formal serifs, is ideal for editorial design, for example newspaper headlines. Sharp, more contemporary, is the best choice for meeting today’s design needs.
Condensed proportions and large x-height, features found in the original font, make Spirits ideally suited for headlines and branding design.
As you would expect from Latinotype, this font comes with a standard character set that supports over 200 languages. Each version includes its own alternates and comes in 4 weights, ranging from Light to Black, resulting in a total of 12 font styles.
Designed by Amy Dietrich, Pattycake is a kids font family. This typeface has two styles and was published by Atlantic Fonts. |
Pattycake family is artsy and friendly. Pattycake is a 3D sketched block letter font with lots of hand-drawn energy and bounce. Pattycake Solid is a smooth and cheerful stand alone font that complements Pattycake, and works nicely as a loose fill under Pattycake so you can easily have fun with color! Both fonts have double-letter ligatures in upper and lower for plenty of movement, and are ready to brighten any fun project, especially those designed for young people.
Designed by Guillame Jean-Mairet, Volkolak is a multiple classification font family. This typeface has one hundred and twelve styles and was published by Wraith Types. |
Volkolak is the ultimate serif-sans-grotesque tribrid, its numerous cuts will give you many options to go crazy on typesetting!
Volkolak is a workhorse type family, a living project. We will constantly update it and improve it to time’s evolving standards, adding features and correcting eventual compatibility issues as they arise. Updates will be free to download once the font/family has been purchased once.
Designed by Adam Ladd, Zuume is a display sans font family. This typeface has thirty-two styles and was published by Adam Ladd. |
Zuume is a high-impact, condensed, display font family consisting of a normal and alternate Zuume Cut family in multiple weights and italics. Its range in thickness gives a sharp, technical feel in the lighter weights, while the bold, blacker weights are meant to be tightly spaced and stacked for a visual punch.
A distinct characteristic of this all caps typeface is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, magazines, sports, logos, and more.
The included alternate Cut family takes the dynamic nature of this design further by adding sliced out elements to flat, horizontal strokes, giving it more movement, aggression, and a sense of speed. Also part of each weight font file are matching pre-designed catchwords that add texture to your typography. Stylistic alternates and arrow glyphs increase the options available.
Zuume has many features:
• Alternate Cut family
• Catchword glyphs (PUA-encoded)
• Stylistic alternates
• Arrows
• Fractions, numerators, denominators
• Superscript, subscript
• Slashed zero
With about 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.
Designed by David Kerkhoff, Bunny Daydream is a hand display font family. This typeface has two styles and was published by Hanoded. |
My niece has two bunny rabbits: Skye and Pippi. She really loves them, so I named this font after her pets.
Bunny Daydream is a rounded, handmade kids’ font. It comes with cute swashes and all the diacritics you need.
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...