Designed by Jakob Fischer, Drum Shake is a comic font family. This typeface has two styles and was published by Pizzadude.dk. |
Drum Shake is my friendly, all-caps comicbook font - ready to serve and protect your next design!
Designed by Jakob Fischer, Drum Shake is a comic font family. This typeface has two styles and was published by Pizzadude.dk. |
Drum Shake is my friendly, all-caps comicbook font - ready to serve and protect your next design!
Designed by Bülent Yüksel, Perspective Sans Bold is a novelty font family. This typeface has four styles and was published by Bülent Yüksel. |
The font primarily had a strong body. Family has a four layered experience. All and in harmony.
This font has a strong personality, that makes it perfect for use in headline sizes. Also use for print, motion graphics, logo design, packaging design, t-shirts and more.
By using layers, you can design different colors and sizes by repositioning lights and shadows. This will allow you to take your designs to the next level.
Using this unique font, you’ll have a lot of fun and produce beautiful materials.
You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support.
There is nothing as satisfying as to do a good quality and properly job.
You can enjoy using it.
Designed by Bülent Yüksel, Perspective Sans Light is a novelty font family. This typeface has four styles and was published by Bülent Yüksel. |
The font primarily had a strong body. Family has a four layered experience. All and in harmony.
This font has a strong personality, that makes it perfect for use in headline sizes. Also use for print, motion graphics, logo design, packaging design, t-shirts and more.
By using layers, you can design different colors and sizes by repositioning lights and shadows. This will allow you to take your designs to the next level.
Using this unique font, you’ll have a lot of fun and produce beautiful materials.
You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support.
There is nothing as satisfying as to do a good quality and properly job.
You can enjoy using it.
Designed by Mateusz Kowalski, Nisse is a display sans font family. This typeface has four styles and was published by Typoforge Studio. |
Say hello to a new Typoforge member! Nisse is a display font family that consists of 4 styles (including italics). The regular and rough versions differ in the amount of wear. It’s inspired by Rex typeface first published by „The Jan Idzikowski and Co. Foundry“ in 1930. Nisse has a high amount of detail making it ideal for large prints and poster design. It is specified by a huge amount of automatic alternates. Each basic latin letter has five versions, the numbers have thee versions and extended latin letters have two versions.
Toska is a display sans font family. This typeface has sixteen styles and was published by Locomotype. |
Toska is a geometric sans serif font. This font has a strong but friendly impression because the rounded corners make the eyes feel comfortable. Suitable for headings, poster titles, logotypes, signage, packaging and Toska can even be used for interesting paragraphs.
Comes in eight weights, each weight having an italic version so you are free to pair various weights to make your typography more attractive.
Designed by Hendry Juanda, Chanide is a brush script, retro and script font published by Letterhend Studio. |
Please welcome our newest script typeface, Chanide. As you can see at the previews, this typeface has unique swashes that allows you to create beautiful lettering in a snap! it has many stylistic set alternates that you can choose from.
This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
uppercase & lowercase
numbers and punctuation
multilingual
ligatures
alternates
swashes
PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
Email us to letterhend@gmail.com if you need something! Happy Designing!
Designed by Fábio Martins, Uivo is a sans serif font family. This typeface has fourteen styles and was published by Scannerlicker. |
Uivo is a contemporary grotesque sans with a geometric flair. Versatile, but without the coldness of the genre.
Built to be interesting in many sizes, from text to display, Uivo flows easily in web, editorial, corporate, identity and graphic work.
Designed by Gert Wiescher, New Yorker Type Classic is an art deco and display serif font family. This typeface has seven styles and was published by Wiescher-Design. |
New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it. I just looked at the type and redrew it completely by hand. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin’s design for New-Yorker magazine was just one of them, maybe the best.
In the next step I repaired some of the mistakes that I made more than thirty years ago.
Now on the eve of 2020 I gave the font a complete overhaul and added a set of Swash Initials, Cyrillic and Greek glyphs and many ligatures. The font now has 1075 glyphs and is all set for most latin writing systems. On top of that I made two versions, a Classic one with rounded corners and a pointed Pro version for a more up-to-date look. Take your pick.
Yours sincerely, honoring Rea Irvin a great type- and magazine-designer, Gert Wiescher
Designed by Gert Wiescher, New Yorker Type Pro is an art deco and display serif font family. This typeface has seven styles and was published by Wiescher-Design. |
New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it. I just looked at the type and redrew it completely by hand. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin’s design for New-Yorker magazine was just one of them, maybe the best.
In the next step I repaired some of the mistakes that I made more than thirty years ago.
Now on the eve of 2020 I gave the font a complete overhaul and added a set of Swash Initials, Cyrillic and Greek glyphs and many ligatures. The font now has 1075 glyphs and is all set for most latin writing systems. On top of that I made two versions, a Classic one with rounded corners and a pointed Pro version for a more up-to-date look. Take your pick.
Yours sincerely, honoring Rea Irvin a great type- and magazine-designer, Gert Wiescher
Designed by Mateusz Machalski, Gaultier is a sans serif font family. This typeface has twenty styles and was published by BORUTTA. |
Gaultier is the result of over 5 years of work on a typeface inspired by my favourite creators in European typography – Claude Garamond, Robert Granjon and Eric Gill. The main idea of the project was to create a sans-serif antiqua with all features reserved for serif typefaces. In addition to the rich set of characters, Neuropa includes: Small Caps, Superscript, Subscript, Ligatures, Discretionary Ligatures, Contextual Alternates, Swash Variants and 5 different styles of digits. Upright styles with delicate contrast corresponds with the expressive form of italics inspired by Granjon italic construction. Gaultier will work wherever we want to emphasize modernity without forgetting tradition. The sharp character of the whole family is perfect for longer texts, visual communications and branding purposes.
Designed by Anita Jürgeleit, Lovebeat is a novelty font published by Anita Jürgeleit. |
Looking for an awesome Valentine’s Day font, wedding font or baby shower font? Lovebeat is the perfect font to celebrate the important feelings of your heart in advertising and web design, packaging and poster design.
Lovebeat lets your typography truly feel the heartbeats. The typeface contains a broad latin language support as well as extended numerals and fractions.
Designed by Jeff Levine, Cartoon Nouveau JNL is an art nouveau and comic font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Most of the lettering on a piece of sheet music for a song from the 1921 George M. Cohan musical comedy entitled “The O’Brien Girl” was hand lettered in a playful, casual Art Nouveau design with rounded ends.
The characters on that page took on a look reminiscent of cartoon or comic strip wording, and the result is a digital typeface named Cartoon Nouveau JNL, which is available in both regular and oblique versions.
Designed by Jeff Levine, Deco Design JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Hand lettering isn’t a perfect art form, and this is why it often has an appeal over formal typesetting. Individual interpretation can lead to variations in style, character shape and overall design concept.
Case in point: The hand-drawn title for the1933 sheet music “Why Can’t This Night Go on Forever” is a simple Art Deco sans, however it mixes character widths and even angles the letter ‘C’ in a nonconventional way.
Deco Design JNL is the digital version of this alphabet, which is available in both regular and oblique versions.
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...