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| Designed by Jakob Fischer, Holiday Dish is a hand display and hand drawn font family. This typeface has four styles and was published by Pizzadude.dk. |
Holiday Dish has a simple and stylish art deci look. Freshen up your design using Holiday Dish, and you are guaranteed get the eye-catching look your design deserves. Comes in both Regular and Bold
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| Designed by Hendry Juanda, Karatone is a display serif and serif font published by Letterhend Studio. |
Introducing, Karatone, An Elegant Serif. This typeface has many alternates with swashes that can make your lettering / logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font one of a kind!
This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
uppercase & lowercase
numbers and punctuation
multilingual
ligatures
alternates
swashes
PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Designed by Erik Bertell, Emil Bertell and Teo Tuominen, Taurus is a display serif and serif font family. This typeface has five styles and was published by Fenotype. |
Save time and effort – choose your type wisely. Use Taurus and you’ll achieve impact without having to resort to cheap tricks. We have done the work for you: just type out words using Taurus and you’ll have a logo for a Wall Street law firm – or for that precious vintage Barolo.
Refinement. Sophistication. Seriousness. Sex appeal. Taurus has it all.
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| Designed by David Kerkhoff, Republica Banana is a hand display and hand drawn font family. This typeface has two styles and was published by Hanoded. |
At home we love bananas: the kids take them to school for ‘snack time’, they’re healthy and they look pretty as well!
Republica Banana is a pun on the term Banana Republic, which was coined by American author O. Henry in 1901. In economics, a Banana Republic is a country that is run as a private commercial enterprise for the exclusive profit of the ruling class. Of course I can point out a few countries that fit this description, but let’s not get into that.
Republica Banana is a very nice, hand painted brush font. It comes with double letter ligatures for the lower case and a lot of diacritics for you to play with.
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| Designed by Emil Bertell, Ex Libris is a display serif and serif font family. This typeface has two styles and was published by Fenotype. |
Ex Libris is a high contrasted Flared Serif font family in two weights. Ex Libris is a display type and it’s at its best in headlines, branding, packaging or as a logotype. Try adding some extra flair with Swash, Stylistic or Titling Alternates or wield any of Ex Libris’s 33 Discretionary Ligatures when typing in caps.
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| Designed by Jeff Levine, Advertising Stencil JNL is a display sans and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
An ad spotted in a 1964 issue of Billboard magazine with the words “STAND BACK…” introduced the first record album from then-new stand-up comedian Bill Cosby.
The lettering of those two words was in a stencil sans serif design that was a perfect candidate for developing into a digital font.
The end result is Advertising Stencil JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Heller Sans JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Heller Sans JNL is based on the main letterforms of an experimental alphabet designed by Steven Heller; noted author of over 170 books on design and visual culture. Some modifications were made in turning his design into a digital font.
In his own words, here is the background to this typeface:
“I recently recovered this from the junk heap. It is a yellowing photostat of my first and only typeface design (1969-70). Total folly! At the time I was smitten by Art Moderne lettering. I called it “Klaus Boobala Bold” because I liked the K and B.
I’ve lost the letters S through Z, which were made. The letters were drawn with compass, Techno pen (that frequently clogged). as well as a triangle and T-square. The inline and outline made no real logical sense.
I based the design, in part, on Kabel, Avant Garde and it was a product of whatever I could accomplish with those tools. The caps-only alphabet was photographed and produced as a film negative that was cut in foot-long strips and spliced to fit on a Typositor reel. Sadly, the negatives made for the font were too brittle and the splice snapped apart in the Typositor.
I worked on it for well over a month and used the face only once. I realized with this attempt, like so many other times I attempted different challenges, that type design — indeed mechanical drawing — was not my strong suit.”
Heller Sans JNL is available in both regular and oblique versions.
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| Designed by Olcar Alcaide, Palio is a serif font family. This typeface has four styles and was published by Eurotypo. |
Palio is a family of fonts derived from the classic Didona, its capitals are slightly condensed and the lower case definitively abandon the reminiscent of the baroque endings strokes, which are still endure in many typefaces.
It is an elegant font especially the slant version that actually is a truly italic.
This version very readable and is enriched with a series of alternative variables and swashes that make it more expressive for certain projects that need some flowering.
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| Designed by Indie Type, Graphemic is an art deco font family. This typeface has two styles and was published by Picatype Studio. |
Inspired by the medieval print design, the look of the sans serif typeface is strong and beautiful. It brings charming curves and satisfying patterns to traditional thick fonts. I like to use this font for printed material and titles - the height attracts attention and creates a visually attractive modern medieval feel. Graphemic fonts include two fonts - Regular & Light.
All offer broad language support, upper and lower case letters, extended numbers and punctuation.
Specifically suitable for: Posters, Blockbusters, films, trailers, headlines, titles, logos, branding, scripts, display & bold ‘goods’.
Thank you for viewing! - (and more thanks for the purchase: P)
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| Designed by Jakob Fischer, Positive Feature is a hand display font family. This typeface has three styles and was published by Pizzadude.dk. |
Positive Feature is a handmade, layered font. All layers comes with contextual alternates, which means you have 4 different versions of each lowercase letter to play around with.
What’s cool about the two layer versions is that they mix in a lovely way! Try typing your text with layer 1, copy/paste layer 2 on top in a different color - perhaps even alter the transparency a bit…and all of a sudden a nice effect sees the light of day! :)
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| Designed by Gert Wiescher, Elita is a display sans font published by Wiescher-Design. |
»Elita« is a 100% geometric font designed on a 3 by 16 grid that makes it very slim. There are no optical tricks employed, it is purely geometric. The extreme narrow font design gives it high black and white contrast. The font is not made to write long copy, but it is perfect if you want to employ that magic between pure geometric and almost impossible to read. Just look at the samples and enjoy!
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| Monteria is a brush script font published by Mika Melvas. |
Monteria is a clean brush script font with nice flow and soft forms. The basic letters are quite simple but if you want to make it to look more showy there is plenty of alternates to make it happen. It is suitable for logos, titles, t-shirts, packages and where ever you will need this kind of lining and legible script font.
Monteria includes lots of Stylistic Alternates that gives you many options to customize your text. There are multiple options for upper case letters. Lower cases has options for initial forms, final forms, end swashes, multiple options for ascenders and decenders. All the Stylistic Alternates has also language support.
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| Noname™ (Pro) is a sans serif font family. This typeface has thirty-four styles and was published by Bold Studio. |
Noname™ (Pro) is intended to imply the appearance of a conventional typeface in a contemporary context. Due to the frequent use in the public service (among other things), the style associates a supposedly objective face.
The style is characterized by the proportions, the contradiction of the apparently perfect reduction and the retention of chirographic elements. In addition, the rapid further development of the input devices has meant that existing character sets have been added again and again, regardless of style and technical requirements.
With this work, the properties were analyzed, the characteristic features highlighted and summarized in a complete typesetting: Anonymity (procedure), bureaucracy (style by category), convention (shape) and formality (optical corrections).
● 3 Variants: Human, Computer, Interaction
● 20 Stylistic-Sets
● 34 Styles
● 39 OpenType features
● 93 Languages Support
● 33,150 Glyphs (975/Style)
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
