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| Designed by Gert Wiescher, Elita is a display sans font published by Wiescher-Design. |
»Elita« is a 100% geometric font designed on a 3 by 16 grid that makes it very slim. There are no optical tricks employed, it is purely geometric. The extreme narrow font design gives it high black and white contrast. The font is not made to write long copy, but it is perfect if you want to employ that magic between pure geometric and almost impossible to read. Just look at the samples and enjoy!
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| Monteria is a brush script font published by Mika Melvas. |
Monteria is a clean brush script font with nice flow and soft forms. The basic letters are quite simple but if you want to make it to look more showy there is plenty of alternates to make it happen. It is suitable for logos, titles, t-shirts, packages and where ever you will need this kind of lining and legible script font.
Monteria includes lots of Stylistic Alternates that gives you many options to customize your text. There are multiple options for upper case letters. Lower cases has options for initial forms, final forms, end swashes, multiple options for ascenders and decenders. All the Stylistic Alternates has also language support.
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| Noname™ (Pro) is a sans serif font family. This typeface has thirty-four styles and was published by Bold Studio. |
Noname™ (Pro) is intended to imply the appearance of a conventional typeface in a contemporary context. Due to the frequent use in the public service (among other things), the style associates a supposedly objective face.
The style is characterized by the proportions, the contradiction of the apparently perfect reduction and the retention of chirographic elements. In addition, the rapid further development of the input devices has meant that existing character sets have been added again and again, regardless of style and technical requirements.
With this work, the properties were analyzed, the characteristic features highlighted and summarized in a complete typesetting: Anonymity (procedure), bureaucracy (style by category), convention (shape) and formality (optical corrections).
● 3 Variants: Human, Computer, Interaction
● 20 Stylistic-Sets
● 34 Styles
● 39 OpenType features
● 93 Languages Support
● 33,150 Glyphs (975/Style)
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| Designed by Tom Nikosey, Flintlock is a display sans font family. This typeface has three styles and was published by CozyFonts Foundry. |
Foundry Name:
CozyFonts Foundry/ Tom Nikosey, designer
Family Name:
Flintlock
Family Price: $65.00
Font Price:
Flintlock Rough: $25.00
Flintlock Flat: $25.00
Flintlock Flat Italic: $25.00
Release Date: December 2019
Designer:
Tom Nikosey
Description:
The Flintlock Font Family has a Bold personality. The ‘Rough’ version of the Flintlock Font has a hand-carved or hand-etched edge, carefully crafted for each of over 300 glyphs. Caps, lower case, all numbers, fractions, accents and European characters that work in over 70 languages. ‘Classically Built with a Vintage Flair’. Vintage in the American West Tradition that might have been forged and implemented from the 1860s through the 1930s and consequently fresh again.
Flintlock Rough can be envisioned on many things dated from 1860 to present day. The font is available in 3 basic weights as of this release date. There are other versions on the drawing board…
Flintlock Rough works extremely well with Posters, Branding, Movie Titles, Invites, Stationary, Signage, Embroidery, Letterpress, Ads, Logos and anything that feels Industrial or Hand-Crafted, eg. Coffee, Breweries, Antiques, Woodcuts, Western Styles, Sports Styles, Holidays, Menus, etc.
Flintlock Flat & Flintlock Flat Italic are the siblings to Flintlock Rough without the hand-carved edge but rather clean with slightly rounded corners and edges. Extremely Legible, Bold and best used in all the same application descriptions mentioned above and more, specifically contemporary uses and settings, eg. Sports, Titles, Branding,
Headlines, Logos and more.
Curiously The Flat & Italic versions of Flintlock work extremely well in 1960s and 1970s settings.
Font Styles:
Flintlock Rough
Flintlock Flat
Flintlock Flat Italic
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| Designed by Hendry Juanda, The Rouged is a script font published by Letterhend Studio. |
Introducing, The Rouged, A Display Script. This typeface has bold monoline which make it looks stand out, and the unique swashes make you easy to create a nice logotype or cool lettering.
This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
uppercase & lowercase
numbers and punctuation
multilingual
ligatures
alternates
swashes
PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
Email us to letterhend@gmail.com if you need something! Happy Designing!
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| Designed by Alexander Bobrov and Ekke Wolf, Looney Toons is a display sans font published by Indian Summer Studio. |
Soft funny round cartoon display font
Latin + Cyrillic + Greek
Diacritics + Ligatures + Fractions
500+ glyphs
4–16 Dec 2019
Made entirely after Ekke Wolf’s Greek ‘rho’ letter’s idea in Runde Wien:
19 Apr 2019
— Damn, it’s funnier than every Disney’s mouse, duck and everything.
— The source letter for a whole special typeface — with own funny happy mood.
— As I see, it’s the decent respected well-mannered sans. And this ‘rho’ is the source for the completely different looney toon display type. Just found it around this brilliant oval.
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| Designed by Hendry Juanda, The Padlock is a script font published by Letterhend Studio. |
Introducing, The Padlock, A Vintage Script. This typeface has nostalgic feel because of its style, so the font is really match for your project with retro / vintage theme. The swashes make this typeface unique even more so you can use it to create beautiful vintage lettering in a sec.
This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
uppercase & lowercase
numbers and punctuation
multilingual
ligatures
alternates
swashes
PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
Email us to letterhend@gmail.com if you need something! Happy Designing!
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| Designed by Stephen Miggas, Fave™ is a modern calligraphy and script font family. This typeface has ten styles and was published by Aerotype. |
The casual hand-brushed family Fave™ consists of scripts in two weights with three accompanying handwritten fonts that play well together. The family also includes an additional even more informal cousin, Fave Casual Script that comes in two weights with its own even more-casual handwritten counterparts, for a total of ten typefaces spanning the casual spectrum. All are optimized for large type use too so they look as good up close as they do set at smaller sizes.
The Fave family has some nifty programming features that happen largely in the background. All of the fonts use the OpenType Standard Ligature feature to automatically differentiate consecutive lowercase letters and numbers (using separate glyphs rather than a single ligature so they can be set on a curve or colored separately, etc.) and like our previous release Turbinado, they also automatically differentiate like characters that are separated by another letter when Standard Ligatures is enabled.
The script fonts also have alternate A-Z characters to choose from, as well as lowercase t (and double t) crossbar alternates that can be selected from the OpenType glyph table manually, or you can enable the Contextual Alternates feature to automatically insert a bigger crossbar as the surrounding letters allow throughout a text box or document. You can also make your own custom lowercase t and crossbar to fit any situation–all of the lowercase t ascenders and crossbars are available separately in the OpenType glyph table, and can be combined and moved around manually.
Fave Script and it’s bold counterpart have two Stylistic Sets. When enabled, one automatically substitutes non-connecting alternate characters at the ends of words, the other substitutes even bigger t crossbars than the Standard Ligature feature does. Sometimes you just want more crossbar.
Other subtle but hopefully helpful features include smart apostrophes, which insert themselves between two script characters in common situations without breaking their connection, and a few ligatures that also make character connections more seamless.
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| Designed by Ryoichi Tsunekawa, City Boys is a sans serif font family. This typeface has fourteen styles and was published by Dharma Type. |
City Boys is a fashionable contrasted sans-serif that can be used in almost any situation.
City Boys has basic, natural and neutral letterforms and skeletons for a wide range of usage.
The glyphs are somewhat humanist yet they have vertical stress for modern and sophisticated impression.
The ratio of the contrast was carefully designed for modern usage –websites, digital, printings and merchandises–.
City Boys consists of 7 weights and their matching Italics for a wide range of usages.
Farther, City Boys is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.
City Boys Soft is a softly rounded version of this City Boys.
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| Designed by Ryoichi Tsunekawa, City Boys Soft is a sans serif font family. This typeface has fourteen styles and was published by Dharma Type. |
City Boys Soft is a fashionable contrasted sans-serif that can be used in almost any situation.
City Boys has basic, natural and neutral letterforms and skeletons for a wide range of usage.
The glyphs are somewhat humanist yet they have vertical stress for modern and sophisticated impression.
The ratio of the contrast was carefully designed for modern usage –websites, digital, printings and merchandises–.
City Boys consists of 7 weights and their matching Italics for a wide range of usages.
Farther, City Boys is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.
City Boys is a normal corner version of this City Boys Soft.
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| Designed by Emil Bertell, Riley is a brush script, retro and script font published by Fenotype. |
Riley is an elegant brush Script with its roots in the 1950s American sign painting. Riley has Stylistic Alternates for every lowercase standard character and it’s equipped with Contextual Alternates and Ligatures that keep the flow and connections smooth. Riley is great for headlines and posters or as a logotype with an elegant touch.
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| Designed by Ryoichi Tsunekawa, Slow Tempo is a display sans font family. This typeface has sixteen styles and was published by Dharma Type. |
Slow Tempo is a relaxed, loose-fit font that you can easily enjoy.
Slow Tempo has basic, natural and neutral letterforms and skeletons for a wide range of usage.
Though, there are some distinctive features.
As you can see, Slow Tempo has low curvature of the intersections between stem & shoulder or bowl and also has large & open apertures. Those features make this font relaxed.
The letterforms have low contrast and geometric shape to be neutral design, large x-height and humanistic terminal to be legible and distinguishable.
Slow Tempo consists of 8 weights and their matching Italics for a wide range of usages.
Further, Slow Tempo is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.
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| Designed by Ryoichi Tsunekawa, Tamba Sans is a display sans font family. This typeface has fourteen styles and was published by Dharma Type. |
Tamba Sans has strong geometric frames. Somewhat condensed and somewhat squarish letterforms can create a powerful atmosphere. At the same time, the very clear, neutral and distinguishable letterforms make it legible and readable.
With the spread of the internet, the digital world is overflowing with “designed” stuff. To survive this chaotic world as a designer, you should use a strong typeface to catch the eyes of an unspecified large number of visitors/customers. This is why it is so important to be strong and powerful.
One more important thing is the legibility, but the eye-catching design has a tendency to be unusual. Those two things conflict with each other. Tamba Sans solved this problem with an exquisite balance.
Tamba Sans consists of 7 weights and their matching Italics for a wide range of usages.
Farther, Tamba Sans is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
