 |
| Designed by Connary Fagen, Wayfinder Stencil CF is a display serif, serif and stencil font family. This typeface has fourteen styles and was published by Connary Fagen Type Design. |
Wayfinder Stencil CF is a stencil serif built for branding, logos, and headlines. Its dramatic curves and contrast are perfect for fashion, tech, art, food, and packaging. Seven weights and italics provide a wide range of elegant applications.
 |
| Designed by Jakob Fischer, Sunday Fish is a hand display, hand drawn and novelty font family. This typeface has four styles and was published by Pizzadude.dk. |
I am not sure if there is such a thing as a Sunday Fish. But anyway, now you have a font with that name! My idea of a Sunday Fish is a lazy, goofy and kinda laid back one. One you’d like to play around with, and a friend for life - not that kind of fish that ends up on your plate! :)
Sunday Fish has massive language support and 4 different versions of each lowercase letter, and these automatically cycle as you type! It comes in 4 different layered versions, which works well together - just play around with the layers and your favourite colours!
 |
| Grafema LC is a brush display, hand display and modern calligraphy font family. This typeface has sixteen styles and was published by Letter Collective. |
Grafema LC was designed by Jacklina Jekova & Todor Georgiev and published by Letter Collective. Grafema LC contains 16 styles and family package options.
Font Family Features:
- 578 glyphs in 7 variants – upright, italic, textured, filled, rough, traditional contrast and inverted;
- Handwritten with a calligraphic flat brush in 2 brush angles – 35° and 85°;
- Extended Latin and Extended Cyrillic;
- Coverage of multiple OpenType features – ligatures, stylistic alternates, and contextual alternates;
- Suitable for web, print, motion graphics, etc;
Perfect for headlines, posters, packaging and greeting cards, etc.
Grafema LC is a system of display typefaces consisting of 7 variants – upright, italic, textured, filled, rough, traditional contrast and inverted. Grafema LC started off as handwritten calligraphic works using a flat brush and variable angles of writing – 35° and 85°. It supports Extended Latin and Extended Cyrillic – more than 120 languages all together. The balanced natural texture of Grafema LC with unique details makes it perfect for headlines, but also suitable for long text. It is perfect for graphic design projects, like packaging, posters, events, blogs, social media and greeting cards. Grafema LC comes with a range of OpenType features – including old-style numerals, typographic features such as ligatures, stylistic and contextual alternates. The typeface is suitable for web, print and motion graphics.
Designers: Jacklina Jekova, Todor Georgiev
Publisher: Letter Collective
www.lettercollective.com
 |
| Designed by Alessia Mazzarella and Vaibhav Singh, Marble is a sans serif font family. This typeface has one hundred and ten styles and was published by URW Type Foundry. |
Marble is part of Asterisk Type Collection by URW Type Foundry.
Marble is a modern sans serif with a distinct character and comes in 108 styles plus Variable Fonts. It grew from the desire to create full bodied letters in contrast to the economy of most sans serif faces. Designed for corporate and publishing use it is rounded and approachable, its three styles (Condensed, Normal and Wide) range from slender elegance to warmth and playfulness without ever being informal.
Designed by Vaibhav Singh and Alessia Mazzarella, Marble derives its character from the generous roundness of the x-heights which is balanced by the striking horizontal or vertical cuts to the terminals. The result is a readable font that encourages the eye to move from one shape to the next and that offers a range of possibilities for digital and print.
The Marble family has nine weights in Latin for each variant. Eminently versatile, it’s ideal for establishing hierarchies of information with a wealth of choices for headlines, subheadings, captions and body copy styles that are all in harmony with each other. The Wide style allows headlines to be set with width and presence.
 |
| Designed by Ricardo Marcin and Erica Jung, Ars Nova is an art nouveau font published by PintassilgoPrints. |
Ars Nova is an up-to-date incarnation of the Art Nouveau flair.
Suited for striking typographic effects.
Suited for some nostalgic pleasure.
Specially suited for creative minds.
Cheers!
 |
| Designed by Seán Mongey and Max Phillips, Tenon is a sans serif font family. This typeface has six styles and was published by Signal Type Foundry. |
When we trimmed the serifs off our new slab serif family Mortise, we found a plain, efficient sans that marches through the uncanny valley between grotesk and geometric, with almost circular bowls that lend extra energy to the line. Like its sibling, Tenon has open counters, a generous x-height, and wide proportions that suit small sizes and small screens. Used larger, its brisk, optimistic air makes it a good choice for projects ranging from editorial design to signage. It’s available in six weights, from the precise X-Light to the muscular X-Bold.
 |
| Designed by David Kerkhoff, Guilty Pleasure is a brush display and hand display font family. This typeface has two styles and was published by Hanoded. |
Some time ago, my kids asked me what kind of sweets I really liked. To be honest, I don’t actually like sweets at all - never have, never will. BUT… you can wake me up for chocolate and ice cream! Those are my guilty pleasures!
Guilty Pleasure is a handmade font. I used China Ink and a brush to create all the glyphs. Guilty Pleasure is a very distinct display font. I recommend you use it for your ice cream or chocolate packaging… but that, of course, is entirely up to you!
;-)
 |
| Designed by Rodrigo Fuentes, Tectonic is a display serif and serif font family. This typeface has three styles and was published by Untype. |
Tectonic is an elegant and stable heavy-duty didonish typeface in three different flavors: the strong and sober Poster Style, the fancy and classic Engraved Style and the playful and sexy Swash Style, each of one includes a distinctive set of alternates, ligatures, numbers and plenty of other resources and OpenType features for your text delight.
Solid and heavy yet full of delicate details and variations, Tectonic was especially designed for being used in headings, logotypes, large text settings and display use in general where a well-founded and firm yet graceful and refined statement is needed.
 |
| Designed by Jakob Fischer, Heavy Pitch is a hand display font family. This typeface has two styles and was published by Pizzadude.dk. |
Fun packed comic style font. Especially made for commercial products such as all kinds of packaging, cereals, video games, candy, kids toys and alike. I added ligatures for double letters to avoid a repeating look. Enjoy!
 |
| Designed by Jeff Levine, Bargain Shopping JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
F.W. Woolworth was once one of the giants of the variety store chains, along with the likes of Kress, S.S. Kresge, McCrory’s, Neisner Brothers, Ben Franklin and others.
In 1960, the company brought out a new corporate logo with a type design harking back to the Art Deco style of the 1930s and 1940s.
A photo of one of their old store fronts (despite having only eight letters to work with) inspired the digital interpretation of the signage as Bargain Shopping JNL, which is available in both regular and oblique versions.
 |
| Designed by Jeff Levine, Free Form Deco JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Toward the end of the 1920s, Art Deco influences were starting to creep into modern design.
The hand lettered title on the cover of the1928 sheet music for “Fascinatin’ Vamp” not only embraced the new Deco movement, but sent it on a wild typographic ride.
Letters of mixed thicknesses and stylings made up the two word title, and this unusual group of letter shapes became the inspiration for Free Form Deco JNL, which is available in both regular and oblique versions.
 |
| Designed by Jeff Levine, Marketing Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Vintage (circa 1960s) packaging for Parker Cartridge Pen Erasers had the product description printed in bold stencil lettering featuring a squared look with rounded corners.
This design has been recreated digitally as Marketing Stencil JNL, which is available in both regular and oblique versions.
 |
| Designed by Jeff Levine, Railway Station JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The hand lettered title on the 1911 sheet music for “That Railroad Rag” was designed in a block style letter with spurred serifs. This simple typographic layout evokes the imagery of early rail transportation although the song itself is was a ‘modern’ composition of then-popular ragtime music.
Railway Station JNL is available in both regular and oblique versions.
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
