 |
| Designed by Jeff Levine, Sunshine Nouveau JNL is an art nouveau font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Hand lettering done in a playfully distinct Art Nouveau style comprised the title on the cover of the 1916 sheet music for the song “Your Mother is Your Best Friend After All”.
This served at the working model for Sunshine Nouveau JNL, which is available in both regular and oblique versions.
 |
| Designed by Jeff Levine, Sweet Treats JNL is an art nouveau and kids font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A piece of British sheet music for “You’re Sweeter than I Thought You Were” [from the 1935 film “Jack of All Trades” starring Jack Hulbert] provided inspiration for a digital typeface based on the credits for Hulbert and the film that rather than the song’s title.
What’s interesting is the lettering style was influenced by Art Nouveau at a time when Art Deco was gaining in popularity.
The result is Sweet Treats JNL, which is available in both regular and oblique versions.
(According to Wikipedia, John Norman ‘Jack’ Hulbert (April 24, 1892 – March 25, 1978) was a British actor, director, screenwriter and singer, specializing primarily in comedy productions, and often working alongside his wife Cicely Courtneidge.)
 |
| Designed by Jeff Levine, Template Sans JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The Wright-Regan Instrument Company (Wrico) was one of the leading manufacturers of lettering templates for many years. Aside from their own line of products, they also did custom manufacturing.
A series of lettering guides called “Mimeostyle” for the A. B. Dick Company of Chicago (produced for use in making mimeograph machine printing stencils) featured an art Deco squared letter design with rounded corners.
This is now available digitally as Template Sans JNL, in both regular and oblique versions.
 |
| Designed by Jeff Levine, Template Shadow JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A series of lettering guides called “Mimeostyle” for the A. B. Dick Company of Chicago (produced for use in making mimeograph machine printing stencils) were custom manufactured by the Wright-Regan Instrument Company (Wrico).
One design featured a sans serif letter produced in Shadow relief, with a touch of Art Deco flair.
This is now available as Template Shadow JNL, in both regular and oblique versions.
 |
| Designed by Jeff Levine, Theater Nouveau JNL is an art nouveau font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Sheet music from the 1911 stage production of the comic opera “The Enchantress” featured the hand lettered names of both the star and composer in a monoline Art Nouveau style.
This sans serif type design is now available as Theater Nouveau JNL in both regular and oblique versions.
 |
| Designed by Anita Jürgeleit, Cosima is a sans serif font family. This typeface has eight styles and was published by Anita Jürgeleit. |
Cosima is an effective workhorse with a touch of subtle elegance, designed by Anita Jürgeleit.
Launching your new brand or creating a new user interface for your mobile devices – selecting characteristic typeface for a brand and advertising is just as important as using the right font for app design, magazine or editorial – typography is always the essential part.
Cosima’s vertically and horizontally cut stems make it appear strong and steady. The narrowed characters and expanded lowercase heights have an elegant impact on the text settings and show joyful designed details in larger sizes.
This type family is available in 8 styles. Its language support covers 93 Latin languages, including Vietnamese. It provides an extended set of fractions, sub- and superscripts, lining and tabular figures. Sign up for news and updates about Cosima at www.anitajuergeleit.de
 |
| Designed by Dave Rowland, Gelato Fresco is a brush script and script font family. This typeface has six styles and was published by Schizotype Fonts. |
Gelato Fresco represents a coming-of-age of a script font that started life in 2011 as the popular Gelato Script. In 2018, Gelato Luxe sought to improve on Gelato Script, and now, with the addition of extra weights for the first time, Gelato Fresco takes the baton.
What was always a typographically sophisticated and versatile font, has reached new levels of usability as it becomes a family. In its previous incarnations, the typeface has graced everything from designer handbags to prime-time TV shows; food blogs to wedding invitations; glossy magazines to (not so imaginatively!) ice cream shops. I can’t wait to see what this even more versatile version gets used for.
 |
| Designed by Isabel De Gregorio, The Thief Bird is a display sans, hand display and sans serif font published by Isa De Gregorio. |
The Thief Bird is a grotesque informal character font.
Informal and grotesque may seem two quite different concepts, however we have to go back to the origin to understand it.
The concept that gave life to “The Thief Bird” is not the same that originated fonts such as Franklin Gothic, which was to stand out in the newspaper headings, but it was based on the adaptation made by the vintage signs painters who took the grotesque style they saw in the newspapers, appropriated it, and reproduced it by brush, no longer to highlight large headlines, but to highlight the prices of their business.
The Thief Bird, takes the language from sign painters and transform it into a font.
This time not to publish prices, but to give life to children’s stories. That is, it takes certain legibility elements from the grotesque fonts mixed them up with the brush language of the sign painters and add grace and life needed in a children font.
The Thief Bird is a playful font display, which with its cheerful ligatures and alternate characters. It makes it really attractive for short paragraphs that tells short stories for little people.
The Thief Bird is a just one file and it is ideal to be used in every children projects from storybooks, as in candies packaging, films, toys, logos, branding, web and type in motion in screens.
TTB is a playful display font, which with its cheerful ligatures and alternate characters, is very attractive for reading small paragraphs, which tell small stories for small people.
The font has the extended set of 643 characters to be used in a professional way in 219 latin languages. It has the complete set of small caps, sensitive cases, more than 30 pairs of ligatures, alternative characters and much more.
The Thief Bird supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni.
 |
| Designed by Max Phillips, Sinter is a sans serif font family. This typeface has eighteen styles and was published by Signal Type Foundry. |
Sinter is the sharp-elbowed sister of our best-selling Center. To make it, we reversed the usual order of things by starting with a rounded typeface and adding corners. The result is crisper and more assertive, but has the same open counters, forthright curves, and squarish rounds as its sibling. It also incorporates the lessons learned from Center’s years in the wild and, like Center, features nine weights with matching italics, ranging from a waifish Thin to a hulking Ultra, plus tabular figures duplexing across all weights, case-sensitive punctuation, and support for over 130 languages. Its look is less futuristic but more businesslike, and its hard-edged clarity lends firmness and confidence to the page or screen.
 |
| Designed by Alexander Bobrov, Linn Boyd Benton and Morris Fuller Benton, Selectric Century is a serif font published by Indian Summer Studio. |
Also known as Schoolbook. 900+ glyphs.
After Linn Boyd Benton’s and Morris Fuller Benton’s 1894 lower contrast version of Scotch Modern, Didone.
The part of the large project on revival and further development (by drawing many additional glyphs) of the 20th century’s typewriters’ fonts.
And especially the most famous, versatile and beautiful typewriter: IBM Selectric’s golfball fonts, lost for the civilization for many decades after ‘80s, not being created since then in digital vector form.
This new sub-project started in July 2018 for the restoration of the most beautiful classical typefaces, used during the 20th century on the extremely rare now IBM Selectric Composer typewriters / desktop publishing systems.
Together with Nick Hamze and the Right Reverend Theodore Munk, the collectors of old typewriters.
IBM showed the perfect taste by developing these best historical book typefaces of the human civilization for typewriters. So people could type then using both the real book faces, and the famous classical ones.
 |
| Designed by Jakob Fischer, Things is a novelty and dingbat font published by Pizzadude.dk. |
OMG! I never thought I’d finish this font! Actually, the idea came to me in the late 1990-ies, but the sketches lied at the bottom of the “fonts I will complete one day In the future” pile ... also called “fonts I most likely won’t complete…EVER” pile! :)
Anyway, I started up with letters for both upper and lowercase, no numbers or punctuation. I figured if people ever purchased this font, all they would need were upper- or lowercase letters. But the rest of the glyphs seemed to miss out, so I made the numbers and some punctuation. But I still found the font incomplete…therefore I redid all the punctuation (from “standard” punctuation to “picturish” punctuation) and added two additional sets of letters. Meaning that there is 4 different versions of letters to choose from: 2 different lowercase, and 2 different lowercase.
I had a lot of fun drawing this font, and some fun doing the detective work finding out how the MANY lettershapes should look!
I hop you too have fun using this font! :)
 |
| Designed by Seán Mongey and Max Phillips, Mortise is a slab serif font family. This typeface has six styles and was published by Signal Type Foundry. |
To mortise is “to join or fasten securely.” Created by an aspiring furniture-maker and an aging typographer, Mortise is a solidly constructed new slab serif, and marks Signal’s first collaboration with outside designers. A generous x-height, open counters, wide proportions, and monoline strokes make it readable and practical, while the long, slightly curved vertical serifs give it a raffish, mustache-twirling air. The X-Light is neat and refined and holds the page nicely; the middle weights are sturdy and direct; and the broad, blocky serifs on the X-Bold are exuberant and perhaps a bit rowdy. Available in six carefully crafted weights, Mortise is both a fresh new face and a versatile addition to the venerable slab serif genre.
 |
| Designed by Carine de Wandeleer, Novata is a script font published by Eurotypo. |
Novata is a new script font, casual, organic and with strong character. Novata includes 529 glyphs, with stylistic and contextual sets, swashes, many ligatures to combine and make your texts original and authentic.
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
