Designed by Oliver Jeschke, Shapiro Pro is a sans serif font family. This typeface has seventy-four styles and was published by OGJ Type Design. |
A modern grotesque with 74 cuts by OGJ Type Design. Workmanship the best – light to black.
Designed by Oliver Jeschke, Shapiro Pro is a sans serif font family. This typeface has seventy-four styles and was published by OGJ Type Design. |
A modern grotesque with 74 cuts by OGJ Type Design. Workmanship the best – light to black.
Designed by David Kerkhoff, Aficionado is a hand drawn font family. This typeface has two styles and was published by Hanoded. |
Aficionado is a hand drawn font, modeled after classy turn of the century typefaces. It is a very legible all-caps font which will certainly give your designs an elegant look!
Designed by Dieter Hofrichter, Askan is a serif font family. This typeface has eighteen styles and was published by Hoftype. |
Askan is a new serif face which is suitable both for a pleasant experience in reading texts as well as for striking headlines and for subtext applications with the heavier weights.
Askan shows that it was designed in 2019, generally avoiding any reference to historical models. The reduced number of formal elements results in a clear and contemporary look.
The Askan family consists of 18 styles and is well equipped for advanced typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.
Designed by Andriy Konstantynov, Greenwich is a sans serif font family. This typeface has eighteen styles and was published by Mint Type. |
Greenwich is a modern-looking humanized sans-serif typeface with open aperture, inspired by the works of English typographers in 1910s–1920s. It comes in 9 weights accompanied with matching mixed-style italics.
Containing over 950 glyphs, Greenwich offers extensive language support including Cyrillic, multiple Opentype features and numerous alternate glyphs to choose from.
It works great in long paragraph texts, but is expressive enough to be used in headlines and branding applications as well.
Designed by Jonathan Hill and Mariya V. Pigoulevskaya, Hegval Display is a display sans font family. This typeface has twenty styles and was published by The Northern Block. |
Hegval Display is a sans-serif type family inspired by Gridnik and Helvetica. It is a geometric and neo-grotesque fusion. Mildly eccentric, Hegval Display features minimal stroke contrast, geometric design elements and selective emojis. Hegval Display is available in ten weights and two styles, both upright and oblique. The character set supports extended Latin and Cyrillic. OpenType features include ligatures, tabular features and fractions.
Designed by Ricardo Marcin and Erica Jung, Pind-O-Rama is a hand display and novelty font family. This typeface has two styles and was published by PintassilgoPrints. |
Pind-O-Rama is quite an unconventional font, with strange counters and shapes and choices and interlocks that just stand out. For sometimes fitting in is absolutely not wanted.
Pindorama is how the native Tupi people originally called Brazil before colonization by the Portuguese. This font draws inspiration from a book on Brazil colonial background, precisely from a 1961 edition - the book was first published in 1943. Unfortunately the cover design is uncredited.
Why fit in? Let’s stand out!
Designed by Cosimo Pancini and Andrea Tartarelli, Blacker Pro is a display serif and serif font family. This typeface has sixty-nine styles and was published by Zetafonts. |
Blacker Pro is the revised and extended version of the original wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli in 2017. Blacker was developed as a take on the style that Jeremiah Shoaf has defined as the “evil serif” genre: typefaces with high contrast, oldstyle or modern serif proportions and sharp, blade-like triangular serifs.
Due to the high contrast in the design - slightly reminiscent of Didone typefaces - Blacker has been developed in two optical subfamilies. The display version offers tighter tracking, higher contrast and sharper corners for maximum effect at big sizes, while the text variant offers better readability and screen rendering at smaller sizes, with lower contrast and looser spacing.
In the pro version, two additional condensed variant families have been added (condensed display and condensed text) allowing for more freedom and versatility in typesetting where space constraints are present. Also, three titling uppercase-only variants have been added, with a slightly extended feel, and two decorative subfamilies (inline and diamond).
Each of these seven variants has been developed in six weights from light to heavy, with matching italics, for a total of 69 styles covering a wide range of editorial and advertising uses. All Blacker Pro feature a revised and extended character set covering over two hundred languages using the latin, cyrillic and greek alphabets. Open type features include small caps, positional numerals, fractions, superior & inferior figures, alternate forms, and an extended set of standard and discretionary ligatures.
With its bold personality, Blacker aims to be a modern classic used for bold statements and self-conscious brands, making your text look great both on paper and on the screens.
Designed by David Kerkhoff, Crimson Skyline is a brush display font family. This typeface has two styles and was published by Hanoded. |
Crimson Skyline is a thin brush font. I used a pencil and Chinese ink to paint the letters. Crimson Skyline comes with double letter ligatures for the lower case letters. And the name? Well, it just has a nice ring to it. That’s all!
Designed by Sergio Leiva Whittle, Radiata is a serif font family. This typeface has twenty styles and was published by Untype. |
Type designer Sergio Leiva delivers another highly inspired text typeface that honours both, nature and type tradition. Radiata looks strong on its structure yet delicate on its terminals and serifs, and bring a sense of modern rationality to the composition because its proportions and vertical stress at the time that flourishes organically and full of details on display settings.
The family has 10 weights, ranging from Thin to Heavy (plus matching italics) including 3 weights especially optimised for long text settings. Ideally suited for book text, editorial and publishing, advertising and packaging, logo, branding and creative industries, small text as well as web and screen design.
Radiata provides advanced typographical support with features such as ligatures, small capitals, alternate characters, swashs, case-sensitive forms, fractions, and super- and subscript characters. It also comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. Considering all this Radiata is a must have for every designer or type user looking for a versatile and reliable workhorse.
RF Marshall is a multiple classification font family. This typeface has two styles and was published by Magpie Paper Works. |
RF Marshall was inspired by an 1883 tombstone, tucked away in a pioneer cemetary. The 4-sided marker is sparsely adorned with homespun carvings of a handprint, two tulip poplar leaves, and these words: “RF Marshall died 1883 Aged 72 years.”
The font faithfully reproduces the stone’s hand-carved lettering and artwork, as well as artwork from other 18th and 19th century American headstones. It was drawn with calligraphy nibs dipped in walnut ink and delights in a range of end uses including period films, rustic decor, Halloween decorations, historical logos and branding, and on the pages of children’s books.
Designed by Jakob Fischer, Tacky Song is a comic and hand display font published by Bogstav. |
To be honest - there is nothing tacky about this font!
The font has its origins in both comic and graffiti, but can be used in a great variety where something handmade/comic/unusual is needed!
Designed by Jakob Fischer, Lemon Flush is a hand display font published by Pizzadude.dk. |
According to my own knowledge, and the info found around the internet, lemons are good for your health. Not only do I care about my health, I also care for a good dessert! :) And this is where the lemon enters the the arena! I love the sweet and sour taste of the lemon - I love it in drinks (hot or cold) in ice creams, cakes, sweets ... you name it!
I just had to name this font something with the word “lemon” in it, because I find it mouth watering! :)
Designed by Emil Bertell, Yes Script is a brush script and retro font published by Fenotype. |
Yes Script says Yes! Yes Script is a bold connected brush script inspired by the typography of the late 60s and 70s. Yes Script is not an anachronistic vintage type -due to it’s clean features and straight edges it’s more of a contemporary design suitable for branding, packaging, magazines and so on from digital to print.
Yes Script is equipped with Contextual Alternates and Standard Ligatures that are automatically on and help to keep the flow of the font natural and connections between letters smooth. In addition there’s Swash, Titling Alternates and two packs of Stylistic Sets. Access the alternates in any OpenType savvy software or seek the Character Palette for even more alternates. Stylistic Set 3 is packed with 24 swooshes and ornaments set in letters a-x.
Yes Script is PUA encoded so you can access the alternates in any software.
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...