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| Designed by Jakob Fischer, Disposable is a hand display font family. This typeface has two styles and was published by Pizzadude.dk. |
Disposable is somewhat similar to some letters that are about to disintegrate. The letters are a little worn and give a good impression of something eco or organic. I’ve created 6 different versions of all the letters, just so your text will look even more organic and handmade!
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| Korey Sister is a brush script and modern calligraphy font published by Dhan Studio. |
Korey Sister is a beautiful brush font, a contemporary approach to design,
this is intentionally made by hand to make it more natural and attractive when used in your design.
Suitable for use in title design. Such as clothing, invitations, book titles, stationery designs,
quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters, and others.
Korey Sister includes a complete set of upper and lower case letters, and multi-language support,
numbers, punctuation, and also has Alternatives and ligature.
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| Designed by Adam Greasley, Kinship Sans is a display sans and sans serif font family. This typeface has ten styles and was published by wearecolt. |
Introducing Kinship, a Grotesque 9 weight font family and variable font by We Are Colt.
Kinship has been created to be your all-round go-to grotesque font that works well for copy and titles. With nine standard weights, this font is more flexible than a bungee rope.
Kinship is a sans serif modern classic grotesque font, perfect for adding personality to logos and brochures. Pairs well with script and brush fonts: I recommend Stroom.
Features:
• 9 separate font weights
• Western European, Central, South-eastern
• Upper and lowercase
• Numerals
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| Designed by Jeff Levine, Chinese Song JNL is an art deco and foreign font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The unusual hand lettering found on the 1945 sheet music for “Chinese Song” provided not only the design inspiration but the font’s name as well.
A hybrid of Asian and Art Deco influences, Chinese Song JNL is available in both regular and oblique versions.
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| Designed by Jeff Levine, Dance Routine JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The hand lettered title on the cover of the 1932 sheet music for “I Wish We Could Dance Forever” was the inspiration for Dance Routine JNL.
This bold Art Deco sans serif design is now available in both regular and oblique versions.
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| Designed by Jeff Levine, Fine Food JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A 1942 photograph showing the exterior of the famous Hollywood restaurant Sardi’s and it’s unusually lettered sign was the inspiration for Fine Food JNL.
Classically Art Deco, the Sardi’s sign had an ‘S’ that looks like an inverted ‘J’ with a flat tail, a traditional ‘A’ replaced by a triangle and the ‘R’ composed of a ‘D’ with a diagonal extension.
These elements were balanced against more traditional [but complementary] characters to retain the novel charm of the original signage.
Fine Food JNL is available in both regular and oblique versions.
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| Designed by Jeff Levine, Postmodern Moderne JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
First published in 1938, Letters and Lettering by Paul Carlyle and Guy Loring was a textbook on lettering examples and how to do them. On one of the pages was found a solid black (counterless) Art Deco sans serif design that in its many variations so typified the era.
The example shown in that book served as the model for Postmodern Moderne JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Quick Meal JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Quick Meal JNL is a ‘hand lettered’ interpretation of Morris Fuller Benton’s 1905 design “Miehle Extra Condensed Title”, no doubt named for [or on behalf of] the manufacturer of printing and die cutting presses that were used for years within the printing industry.
The type face is available in both regular and oblique versions.
Quick Meal JNL is a pun on the pronunciation of ‘Miehle’.
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| Designed by Jeff Levine, Radio Interference JNL is a grunge font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The font Antique Slabserif JNL was run through a filter to create a design that looks like worn type at smaller settings or jaggedly distressed lettering in larger type heights.
The end result is Radio Interference JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Sign Studio JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The French lettering book Album de Lettres Arti (1949) displayed a number of examples of unique, stylized typefaces.
One in particular features a multi-line sans serif in a classic Art Deco style with open-ended characters.
This design is now available as Sign Studio JNL in both regular and oblique versions.
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| Designed by Jeff Levine, Silly Behavior JNL is a kids font published by Jeff Levine Fonts. |
Silly Behavior JNL is based on a hand lettered alphabet found within the pages of the vintage lettering book “100 Alphabets Publicitaires” (100 Advertising Alphabets).
The fun, haphazard arrangement of the letters and numbers convey a casual approach to titling.
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| Designed by Jeff Levine, Tabloid News JNL is a display slab font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Sans serif characters re-drawn from old newspaper headlines (and used in the design for Late Breaking News JNL) were given a slab serif treatment in order to create a condensed type face with both grotesk and block influences.
The end result is Tabloid News JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Turntable Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A disc jockey-only promotional sleeve for a 1964 [45 rpm] release of “Close to Me” and “Let Them Talk” by Dan Penn featured the song titles printed in a stencil typeface on the record sleeve.
Closely resembling a stencil version of Franklin Gothic but with its own unique characteristics, this design has been reinterpreted as Turntable Stencil JNL and is available in both regular and oblique versions.
For trivia buffs, Dan Penn is a singer-songwriter-record producer, often collaborating with Dewey Lindon “Spooner” Oldham; both closely associated with the late Rick Hall’s Fame recording studios in Muscle Shoals, Alabama.
In 1964, Hall started the Fame record label, and for a time it was distributed by Vee-Jay Records of Chicago, the first major Black-owned record label in the United States.
Penn’s release was only the second for the new label; Fame 6402.
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
