Showing posts with label sans serif. Show all posts
Showing posts with label sans serif. Show all posts

Saturday, July 24, 2021

[jducq] Download jp DIN Vario fonts from JPFonts

jp DIN Vario
Designed by Volker Schnebel, jp DIN Vario is a sans serif font published by JPFonts.


DIN Vario (multi) variable font infinitely adjustable in 3 axes: from thin to black: from Compressed to Expanded Italic Angle: from 0 to 15°
The fact that there are finally user programs that support variable fonts and thus offer the user the possibility to make fine adjustments in line thickness and width without having to deform the characters unnecessarily, immediately thrilled me as a font designer. You can use this technique in different ways. Either they are used to achieve only marginal deviations between small and large font sizes, for example, or, as is also possible in DIN Vario, to cover a wide spectrum between thin and black, narrow and wide and in a third axis even a stepless italic angle between 0 and 15°. This task places special demands on the designer and not every type face is equally suitable for this, because shapes must be designed at the respective extremes, which provide a correct result in every possible intermediate interpolation. It was a particular concern to me that the italic angle should also be infinitely adjustable, because how many times have one thought: why exactly 10°? What about 9° or 12°? This can only works with a few fonts with high quality and without loss. DIN Vario, however, is suitable for its robust design, really perfect for this new technology. In order to be able to react additionally to individual requirements, it is possible to change the form of the “a” and “g” from double-storey to single-storey and vice versa by setting the corresponding style-set (under OpenType features) not only in the italics, but also in all fonts.



jp DIN Vario


Friday, July 23, 2021

[mgwhf] Download jp DIN Vario fonts from JPFonts

jp DIN Vario
Designed by Volker Schnebel, jp DIN Vario is a sans serif font published by JPFonts.


DIN Vario (multi) variable font infinitely adjustable in 3 axes: from thin to black: from Compressed to Expanded Italic Angle: from 0 to 15°
The fact that there are finally user programs that support variable fonts and thus offer the user the possibility to make fine adjustments in line thickness and width without having to deform the characters unnecessarily, immediately thrilled me as a font designer. You can use this technique in different ways. Either they are used to achieve only marginal deviations between small and large font sizes, for example, or, as is also possible in DIN Vario, to cover a wide spectrum between thin and black, narrow and wide and in a third axis even a stepless italic angle between 0 and 15°. This task places special demands on the designer and not every type face is equally suitable for this, because shapes must be designed at the respective extremes, which provide a correct result in every possible intermediate interpolation. It was a particular concern to me that the italic angle should also be infinitely adjustable, because how many times have one thought: why exactly 10°? What about 9° or 12°? This can only works with a few fonts with high quality and without loss. DIN Vario, however, is suitable for its robust design, really perfect for this new technology. In order to be able to react additionally to individual requirements, it is possible to change the form of the “a” and “g” from double-storey to single-storey and vice versa by setting the corresponding style-set (under OpenType features) not only in the italics, but also in all fonts.



jp DIN Vario


Thursday, July 22, 2021

[mptex] Download jp DIN Vario fonts from JPFonts

jp DIN Vario
Designed by Volker Schnebel, jp DIN Vario is a sans serif font published by JPFonts.


DIN Vario (multi) variable font infinitely adjustable in 3 axes: from thin to black: from Compressed to Expanded Italic Angle: from 0 to 15°
The fact that there are finally user programs that support variable fonts and thus offer the user the possibility to make fine adjustments in line thickness and width without having to deform the characters unnecessarily, immediately thrilled me as a font designer. You can use this technique in different ways. Either they are used to achieve only marginal deviations between small and large font sizes, for example, or, as is also possible in DIN Vario, to cover a wide spectrum between thin and black, narrow and wide and in a third axis even a stepless italic angle between 0 and 15°. This task places special demands on the designer and not every type face is equally suitable for this, because shapes must be designed at the respective extremes, which provide a correct result in every possible intermediate interpolation. It was a particular concern to me that the italic angle should also be infinitely adjustable, because how many times have one thought: why exactly 10°? What about 9° or 12°? This can only works with a few fonts with high quality and without loss. DIN Vario, however, is suitable for its robust design, really perfect for this new technology. In order to be able to react additionally to individual requirements, it is possible to change the form of the “a” and “g” from double-storey to single-storey and vice versa by setting the corresponding style-set (under OpenType features) not only in the italics, but also in all fonts.



jp DIN Vario


Wednesday, July 21, 2021

Vernacular Sans fonts from JPFonts - (qhvgf)

Vernacular Sans
Designed by Volker Schnebel, Vernacular Sans is a sans serif font family. This typeface has twelve styles and was published by JPFonts.


About the typeface
The build up of the inital project had the effect of bringing the different styles
closer together. Sans and Clarendon have a vertical axis and similar endings
in contrast to the Serif with a traditional diagonal axis.The straight stems from
the original project are used as an element to stress the closeness of the type
family. They thus share a comon feature.



Vernacular Sans


Monday, July 19, 2021

Torus Pro fonts from Paulo Goode - (qsigv)

Torus Pro
Designed by Paulo Goode, Torus Pro is a sans serif font family. This typeface has fourteen styles and was published by Paulo Goode.


Torus Pro is a rounded monoline typeface. As its name suggests, this is a more professional version of my original Torus family released in 2017. Each glyph has been scrutinised and redrawn where necessary. In addition, there are now italics, small caps, old style figures, and numerous other improvements.   

Torus Pro includes many new decorative alternates and ligatures that will add distinctive flourishes to your typographic compositions. With up to nine alternates for some glyphs, these additional styles include stencilled, simple dots, looped and smooth swashes, plus a more aggressive angled option for those looking for something a little different. When used subtly, these alternates and glyph combinations will add flair and personality to your own creations. Perfect for titling and branding, Torus Pro also packs a punch without these features activated, as well as being a comfortable read in long runs of text.

There are 12 fonts altogether, ranging from Thin to Heavy weights in both roman and italic. The variable font versions of the family allow you to define the weight exactly to your liking. Torus Pro has an extensive character set that covers all Latin European languages.

Key features:

  • 6 weights in both roman and italic
  • Variable fonts included with full family
  • 212 Alternates
  • 20 Ligatures
  • Small Caps
  • Full European character set (Latin only)
  • 1450+ glyphs per font.


Torus Pro


Thursday, July 15, 2021

Geogrotesque Sharp fonts from Emtype Foundry - (metco)

Geogrotesque Sharp
Designed by Eduardo Manso, Geogrotesque Sharp is a sans serif font family. This typeface has ninety-nine styles and was published by Emtype Foundry.


Geogrotesque Sharp is a superfamily of seven widths and 99 styles that puts together the work of a decade. Some design aspects has been simplified but without losing its soul, we have removed ink traps and rounded corners. This update lead Geogrotesque to another dimension, becoming more usable and less idiosyncratic. A Variable Font version is included with the family or as a separate style. Despite being more web oriented, this new format has gained popularity in recent years, so we thought it was the right moment to launch a variable Geogrotesque.



Geogrotesque Sharp


Tuesday, July 13, 2021

Galvani fonts from Hoftype - (jhkdj)

Galvani
Designed by Dieter Hofrichter, Galvani is a sans serif font family. This typeface has eighteen styles and was published by Hoftype.


Galvani offers a new geometric Sans Serif with humanistic displays. With its straight lines and rectangular shapes, and its clean and coolish appearance, Galvani unites some of the principal sans design features of the last decades.

Galvani consists of 18 styles and is well equipped for advanced typography. It comes in OpenType format with extended languagesupport.

All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.



Galvani


Sunday, July 11, 2021

Grato & Gratimo Classic fonts from TypeMates - (vioab)

Grato & Gratimo Classic
Designed by Jakob Runge and Mona Franz, Grato & Gratimo Classic is a sans serif font family. This typeface has twenty-one styles and was published by TypeMates.


The geometric Classic is available in two optical sizes: For larger sizes and purer geometry, Grato Classic is tuned for branding and identity design. If you need less geometry and more legibility, Gratimo Classic is fine-tuned for text and interface design.

Grato Classic is the humanist voice of the Geometric Suite. A timeless typeface with sharply cut terminals and apexes, it combines a pure, present voice with idiosyncrasy and luxury.
Grato is shaped by pure forms, low stroke modulation and square dots that contrast with almost perfect circles. Grato Classic takes that core and pursues the classical proportions and calligraphic detailing of early British geometric typefaces. The result is a typeface of quirks and clarity, a substantial family for identity and editorial work.
With a spectrum of nine weights, from fine Hairlines to super heavy Blacks, Grato can organise complex typographic hierarchies with ease.

Gratimo Classic is a powerful workhorse that combines elementary shapes and precise construction. An utilitarian family purpose-built for everyday use.
Where Grato Classic revels in pure geometry, Gratimo Classic has a practical focus. With a robust x-height, open apertures and generous spacing, its more restrained forms were the result of Grato being redrawn for reading. The result is a space saving typeface that draws on the humanist geometric types of Johnston and Gill to make something new.
An allrounder specialising in smaller reading sizes and lower resolutions, Gratimo Classic is suitable for user interfaces and longform writing. With a compact texture, it is efficient, robust and ready to work at any size.
For serious typography, Gratimo comes equipped with six weights, from Thin to sturdy Black. For greater distinction, it has matching italics.

Both combined are a super pack with 21 font styles and a long-lasting companion for brands that value diversity in language and clear screen performance.



Grato & Gratimo Classic


Saturday, July 10, 2021

Grato & Gratimo Classic fonts from TypeMates - (dxdqj)

Grato & Gratimo Classic
Designed by Jakob Runge and Mona Franz, Grato & Gratimo Classic is a sans serif font family. This typeface has twenty-one styles and was published by TypeMates.


The geometric Classic is available in two optical sizes: For larger sizes and purer geometry, Grato Classic is tuned for branding and identity design. If you need less geometry and more legibility, Gratimo Classic is fine-tuned for text and interface design.

Grato Classic is the humanist voice of the Geometric Suite. A timeless typeface with sharply cut terminals and apexes, it combines a pure, present voice with idiosyncrasy and luxury.
Grato is shaped by pure forms, low stroke modulation and square dots that contrast with almost perfect circles. Grato Classic takes that core and pursues the classical proportions and calligraphic detailing of early British geometric typefaces. The result is a typeface of quirks and clarity, a substantial family for identity and editorial work.
With a spectrum of nine weights, from fine Hairlines to super heavy Blacks, Grato can organise complex typographic hierarchies with ease.

Gratimo Classic is a powerful workhorse that combines elementary shapes and precise construction. An utilitarian family purpose-built for everyday use.
Where Grato Classic revels in pure geometry, Gratimo Classic has a practical focus. With a robust x-height, open apertures and generous spacing, its more restrained forms were the result of Grato being redrawn for reading. The result is a space saving typeface that draws on the humanist geometric types of Johnston and Gill to make something new.
An allrounder specialising in smaller reading sizes and lower resolutions, Gratimo Classic is suitable for user interfaces and longform writing. With a compact texture, it is efficient, robust and ready to work at any size.
For serious typography, Gratimo comes equipped with six weights, from Thin to sturdy Black. For greater distinction, it has matching italics.

Both combined are a super pack with 21 font styles and a long-lasting companion for brands that value diversity in language and clear screen performance.



Grato & Gratimo Classic


Friday, July 2, 2021

Golca fonts from Pepper Type - (icdrx)

Golca
Golca is a sans serif font family. This typeface has sixteen styles and was published by Pepper Type.


Golca is a humanist, slightly elongated sans-serif font family with open aperture. It features rich language support and includes Cyrillic and Greek scripts for your international projects.

It is perfect for branding purposes, as well as UI/UX applications and web appearance. Friendly and highly legible, it is also suitable as a body copy typeface for various printed media.



Golca


Thursday, June 24, 2021

Jali Greek fonts from Foundry5 - (fysnu)

Jali Greek
Designed by Mohamad Dakak and Kostas Bartsokas, Jali Greek is a sans serif font family. This typeface has eighteen styles and was published by Foundry5.


Jali is a humanist sans serif typeface particularly suited for wayfinding. Jali comes in versions that support Arabic, Greek, and Latin.

The name ‘Jali’ means clear in the Arabic language. The design of Jali reflects the ethos of its name. The combination of low-contrast strokes, ample counters, dots, and distinguishable marks make Jali a versatile typeface. With its humanistic voice and clear letterforms, Jali aims at offering a warm and efficient reading experience. Similar to other wayfinding type families, Jali is also well suited for demanding typographic environments.

Jali has received two renowned awards: TDC Certificate in Typographic Excellence and Granshan’s 1st Prize, Arabic & Latin Category in 2019.

We offer a free Variable font when you buy any full family package.



Jali Greek


Jali Latin fonts from Foundry5 - (fgqyi)

Jali Latin
Designed by Mohamad Dakak, Jali Latin is a sans serif font family. This typeface has eighteen styles and was published by Foundry5.


Jali is a humanist sans serif typeface particularly suited for wayfinding. Jali comes in versions that support Arabic, Greek, and Latin.

The name ‘Jali’ means clear in the Arabic language. The design of Jali reflects the ethos of its name. The combination of low-contrast strokes, ample counters, dots, and distinguishable marks make Jali a versatile typeface. With its humanistic voice and clear letterforms, Jali aims at offering a warm and efficient reading experience. Similar to other wayfinding type families, Jali is also well suited for demanding typographic environments.

Jali has received two renowned awards: TDC Certificate in Typographic Excellence and Granshan’s 1st Prize, Arabic & Latin Category in 2019.

We offer a free Variable font when you buy any full family package.



Jali Latin


Tuesday, June 22, 2021

Accia Sans fonts from Mint Type - (mkzvf)

Accia Sans
Designed by Andriy Konstantynov, Accia Sans is a sans serif font family. This typeface has sixteen styles and was published by Mint Type.


Accia Sans is a humanist sans-serif typeface with character. Its strong features make an outstanding performance in branding applications, as well as in editorial designs.

The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals.

Accia Sans is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.



Accia Sans


Tuesday, June 15, 2021

Nsai fonts from Aukimvisuel - (uqexe)

Nsai
Nsai is a sans serif font family. This typeface has thirty-six styles and was published by Aukimvisuel.


Nsai is a modern sans serif font family with a geometric twist, created in 2021 by a Congolese type designer, Audry Kitoko Makelele. It is available in two versions (normal and extended) making a total of 36 fonts. There are 9 weights with their true italics. Over 600 glyphs per font provide a wide range of language support, from Latin to Cyrillic, as well as powerful Opentype features such as professional kerning, stylistic variations, very special ligatures, old-fashioned tabular figures, Fractions, denominators, exponents, unlimited indices, arrows and more to satisfy the most demanding professionals.

On the one hand, it features rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as editorial design. It’s a wonderful, bold and elegant font.

This font is guaranteed to make your design stand out from the crowd and leave a lasting impression, as it has the potential to enhance any creation.



Nsai


Monday, June 14, 2021

Nsai fonts from Aukimvisuel - (gcngu)

Nsai
Nsai is a sans serif font family. This typeface has thirty-six styles and was published by Aukimvisuel.


Nsai is a modern sans serif font family with a geometric twist, created in 2021 by a Congolese type designer, Audry Kitoko Makelele. It is available in two versions (normal and extended) making a total of 36 fonts. There are 9 weights with their true italics. Over 600 glyphs per font provide a wide range of language support, from Latin to Cyrillic, as well as powerful Opentype features such as professional kerning, stylistic variations, very special ligatures, old-fashioned tabular figures, Fractions, denominators, exponents, unlimited indices, arrows and more to satisfy the most demanding professionals.

On the one hand, it features rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as editorial design. It’s a wonderful, bold and elegant font.

This font is guaranteed to make your design stand out from the crowd and leave a lasting impression, as it has the potential to enhance any creation.



Nsai


TG Minagi Sans fonts from Tegami Type - (drpog)

TG Minagi Sans
Designed by Iqbal Firdaus, TG Minagi Sans is a sans serif font family. This typeface has fifteen styles and was published by Tegami Type.


TG Minagi Sans is a neo-humanist sans serif that takes inspiration from some calligraphy and blackletter letterforms providing sharp details and a little stiffness in some parts of the typeface. By combining these things with the modern form of the sans serif letter, TG Minagi Sans has a forceful and distinct character. Super terrific when used at massive sizes for display purposes and headlines, but reliable enough for small text sizes.

TG Minagi Sans comes with 7 weights, 2 axes & 14 Styles, including a variable font file. Has several OpenType features such as various ligatures, lining figures (proportional, old styles, superior, inferior, denominator, numerator & fraction), stylistic styles 01-04 & covered more than 100 languages Latin based.



TG Minagi Sans


Saturday, June 12, 2021

Nsai fonts from Aukimvisuel - (fbnrn)

Nsai
Nsai is a sans serif font family. This typeface has thirty-six styles and was published by Aukimvisuel.


Nsai is a modern sans serif font family with a geometric twist, created in 2021 by a Congolese type designer, Audry Kitoko Makelele. It is available in two versions (normal and extended) making a total of 36 fonts. There are 9 weights with their true italics. Over 600 glyphs per font provide a wide range of language support, from Latin to Cyrillic, as well as powerful Opentype features such as professional kerning, stylistic variations, very special ligatures, old-fashioned tabular figures, Fractions, denominators, exponents, unlimited indices, arrows and more to satisfy the most demanding professionals.

On the one hand, it features rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as editorial design. It’s a wonderful, bold and elegant font.

This font is guaranteed to make your design stand out from the crowd and leave a lasting impression, as it has the potential to enhance any creation.



Nsai


TG Minagi Sans fonts from Tegami Type - (zlucm)

TG Minagi Sans
Designed by Iqbal Firdaus, TG Minagi Sans is a sans serif font family. This typeface has fifteen styles and was published by Tegami Type.


TG Minagi Sans is a neo-humanist sans serif that takes inspiration from some calligraphy and blackletter letterforms providing sharp details and a little stiffness in some parts of the typeface. By combining these things with the modern form of the sans serif letter, TG Minagi Sans has a forceful and distinct character. Super terrific when used at massive sizes for display purposes and headlines, but reliable enough for small text sizes.

TG Minagi Sans comes with 7 weights, 2 axes & 14 Styles, including a variable font file. Has several OpenType features such as various ligatures, lining figures (proportional, old styles, superior, inferior, denominator, numerator & fraction), stylistic styles 01-04 & covered more than 100 languages Latin based.



TG Minagi Sans


Friday, June 11, 2021

Nsai fonts from Aukimvisuel - (bqewx)

Nsai
Nsai is a sans serif font family. This typeface has thirty-six styles and was published by Aukimvisuel.


Nsai is a modern sans serif font family with a geometric twist, created in 2021 by a Congolese type designer, Audry Kitoko Makelele. It is available in two versions (normal and extended) making a total of 36 fonts. There are 9 weights with their true italics. Over 600 glyphs per font provide a wide range of language support, from Latin to Cyrillic, as well as powerful Opentype features such as professional kerning, stylistic variations, very special ligatures, old-fashioned tabular figures, Fractions, denominators, exponents, unlimited indices, arrows and more to satisfy the most demanding professionals.

On the one hand, it features rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as editorial design. It’s a wonderful, bold and elegant font.

This font is guaranteed to make your design stand out from the crowd and leave a lasting impression, as it has the potential to enhance any creation.



Nsai


TG Minagi Sans fonts from Tegami Type - (vswhe)

TG Minagi Sans
Designed by Iqbal Firdaus, TG Minagi Sans is a sans serif font family. This typeface has fifteen styles and was published by Tegami Type.


TG Minagi Sans is a neo-humanist sans serif that takes inspiration from some calligraphy and blackletter letterforms providing sharp details and a little stiffness in some parts of the typeface. By combining these things with the modern form of the sans serif letter, TG Minagi Sans has a forceful and distinct character. Super terrific when used at massive sizes for display purposes and headlines, but reliable enough for small text sizes.

TG Minagi Sans comes with 7 weights, 2 axes & 14 Styles, including a variable font file. Has several OpenType features such as various ligatures, lining figures (proportional, old styles, superior, inferior, denominator, numerator & fraction), stylistic styles 01-04 & covered more than 100 languages Latin based.



TG Minagi Sans