Showing posts with label display sans. Show all posts
Showing posts with label display sans. Show all posts

Friday, June 18, 2021

Contralto fonts from Synthview Type Design - (ppgqs)

Contralto
Designed by Jan Tonellato, Contralto is a display sans font family. This typeface has forty styles and was published by Synthview Type Design.


Contralto is a high contrast sans-serif font family, crafted to look elegant but contemporary thanks to soft humanist shapes mixed with sharp geometric details.
Contralto comes in 40 styles: 5 weights × italics × 4 optical sizes, to help optimising contrast and readability. However, you can also use them to fine tune the mood of your graphical composition.
Contralto’s generous character set and Opentype features let you meet the most demanding layout needs and lets your creativity fly!



Contralto


Dankfield fonts from Letterhend Studio - (ugaqu)

Dankfield
Designed by Hendry Juanda, Dankfield is a display sans font family. This typeface has four styles and was published by Letterhend Studio.


Introducing, Dankfield. A modern display typeface with high contrast and condensed style, very suitable for futuristic and techno theme. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- Uppercase & lowercase (alternates)
- Numbers and punctuation
- Stylistic alternates
- multilingual
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.



Dankfield


Thursday, June 17, 2021

Contralto fonts from Synthview Type Design - (lbuyc)

Contralto
Designed by Jan Tonellato, Contralto is a display sans font family. This typeface has forty styles and was published by Synthview Type Design.


Contralto is a high contrast sans-serif font family, crafted to look elegant but contemporary thanks to soft humanist shapes mixed with sharp geometric details.
Contralto comes in 40 styles: 5 weights × italics × 4 optical sizes, to help optimising contrast and readability. However, you can also use them to fine tune the mood of your graphical composition.
Contralto’s generous character set and Opentype features let you meet the most demanding layout needs and lets your creativity fly!



Contralto


Dankfield fonts from Letterhend Studio - (immre)

Dankfield
Designed by Hendry Juanda, Dankfield is a display sans font family. This typeface has four styles and was published by Letterhend Studio.


Introducing, Dankfield. A modern display typeface with high contrast and condensed style, very suitable for futuristic and techno theme. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- Uppercase & lowercase (alternates)
- Numbers and punctuation
- Stylistic alternates
- multilingual
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.



Dankfield


Sunday, June 6, 2021

Magic Ramen fonts from Nicky Laatz - (dqzcz)

Magic Ramen
Designed by Nicky Laatz, Magic Ramen is a display sans and sans serif font family. This typeface has two styles and was published by Nicky Laatz.


Say hello to Magic Ramen - an oddball sans serif font with weird contrast! Playful and strange - perfect for unusual avant-garde branding and projects.

Includes Opentype Kerning. Available in both solid and outline versions.



Magic Ramen


Saturday, June 5, 2021

Road Picture JNL fonts from Jeff Levine Fonts - (ialrw)

Road Picture JNL
Designed by Jeff Levine, Road Picture JNL is a display sans and hand display font family. This typeface has two styles and was published by Jeff Levine Fonts.


Road Picture JNL was modeled after the hand lettered title and credits for the 1940 Bob Hope-Bing Crosby semi-musical comedy “Road to Singapore”, and is available in both regular and oblique versions.

Although the lettering design doesn’t resemble anything that was probably used in Singapore at the time, its faux “exotic” look still makes for an interesting revival.

Bob Hope and Bing Crosby made a total of seven “road” pictures, hence the homage in the name of this type font.



Road Picture JNL


Thursday, June 3, 2021

Road Picture JNL fonts from Jeff Levine Fonts - (dgiem)

Road Picture JNL
Designed by Jeff Levine, Road Picture JNL is a display sans and hand display font family. This typeface has two styles and was published by Jeff Levine Fonts.


Road Picture JNL was modeled after the hand lettered title and credits for the 1940 Bob Hope-Bing Crosby semi-musical comedy “Road to Singapore”, and is available in both regular and oblique versions.

Although the lettering design doesn’t resemble anything that was probably used in Singapore at the time, its faux “exotic” look still makes for an interesting revival.

Bob Hope and Bing Crosby made a total of seven “road” pictures, hence the homage in the name of this type font.



Road Picture JNL


Tuesday, June 1, 2021

Lobby Poster JNL fonts from Jeff Levine Fonts - (fnjfr)

Lobby Poster JNL
Designed by Jeff Levine, Lobby Poster JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


The hand lettered cast credits for the 1932 George Arliss film “The Man Who Played God” inspired Lobby Poster JNL, which is available in both regular and oblique versions.

A bold and playful Art Deco poster alphabet, its nonconformist character widths and shapes are casual enough for informal designs yet bold enough to get any point across.



Lobby Poster JNL


Monday, May 24, 2021

British Cinema JNL fonts from Jeff Levine Fonts - (ygabc)

British Cinema JNL
Designed by Jeff Levine, British Cinema JNL is a display and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


The hand lettered titles and credits from the 1945 British film “The Way to the Stars” were the working model for the aptly-titled British Cinema JNL, which is available in both regular and oblique versions.



British Cinema JNL


Wednesday, May 19, 2021

Amonos Display Font Family fonts from Brenners Template - (xiieo)

Amonos Display Font Family
Amonos Display Font Family is a display sans font family. This typeface has eighteen styles and was published by Brenners Template.


Amonos Display Font Family aims for a modern and simple lifestyle.
Sleek and stylish skeletons boast a unique style from thin to black weights.
Regardless of weights, 18 styles have special talents related to headings, subtitles and logos.
The understated metaphor and sense of stability is the best alternatives for creative typography.
Therefore, it supports stable dynamics beyond the biased simplicity of geometric fonts.
And some different Glyphs of oblique typefaces add to the delightful fun.
Enclosed Glyphs and Symbols will be so useful for editorial design.



Amonos Display Font Family


Ingeo fonts from Blancoletters - (tbdga)

Ingeo
Designed by Juan Blanco, Ingeo is a display sans font family. This typeface has nine styles and was published by Blancoletters.


Between the most rigid geometric letterforms and the most expressive calligraphy works there are, undoubtedly, countless combinatory possibilities. Ingeo is just one of them. Located very close to a geometric approach it shows, however, a clear willingness to accommodate in its structure the calligraphic traits of our alphabet. In Ingeo geometry grows from the inside, meaning that all its counters are based on geometric shapes. Around them, contours are later defined. The solid mass resulting from that interaction is modulated in specific areas in a way that evokes the way a writing hand finishes a letter and starts the following one. Ingeo seeks to accommodate calligraphic features in its geometric structure without any complexes, in the same way a computer engineer writes a song or a poet admires the orbits of planets and satellites. In this vast and unmapped realm between seemingly opposing concepts is where Ingeo finds its playground. There, that interaction is pushed to its limits and the resulting letterforms are later confronted with typographical conventions to assess whether they survive.

Ingeo comes with 695 glyphs in its character set with support for more than 270 languages. Among these glyphs you can find 5 stylistic sets, 19 useful science-related icons as well as 7 different designs for ampersands.



Ingeo


Tuesday, May 18, 2021

Ingeo fonts from Blancoletters - (zndgv)

Ingeo
Designed by Juan Blanco, Ingeo is a display sans font family. This typeface has nine styles and was published by Blancoletters.


Between the most rigid geometric letterforms and the most expressive calligraphy works there are, undoubtedly, countless combinatory possibilities. Ingeo is just one of them. Located very close to a geometric approach it shows, however, a clear willingness to accommodate in its structure the calligraphic traits of our alphabet. In Ingeo geometry grows from the inside, meaning that all its counters are based on geometric shapes. Around them, contours are later defined. The solid mass resulting from that interaction is modulated in specific areas in a way that evokes the way a writing hand finishes a letter and starts the following one. Ingeo seeks to accommodate calligraphic features in its geometric structure without any complexes, in the same way a computer engineer writes a song or a poet admires the orbits of planets and satellites. In this vast and unmapped realm between seemingly opposing concepts is where Ingeo finds its playground. There, that interaction is pushed to its limits and the resulting letterforms are later confronted with typographical conventions to assess whether they survive.

Ingeo comes with 695 glyphs in its character set with support for more than 270 languages. Among these glyphs you can find 5 stylistic sets, 19 useful science-related icons as well as 7 different designs for ampersands.



Ingeo


Friday, May 7, 2021

Logopedia Next Rounded fonts from Bülent Yüksel - (vbagw)

Logopedia Next Rounded
Designed by Bülent Yüksel, Logopedia Next Rounded is a display sans font family. This typeface has six styles and was published by Bülent Yüksel.


What makes “Logopedia Next Rounded” unique is that it has a strong body, upper and lower case letters are the same size and work in perfect harmony.


All letters in the character have “alternatives” in various numbers. This feature provides you variety in your designs. It is possible to take your designs to the next level by using “Logopedia Next Rounded”.


Logopedia Next Rounded” is ideal for especially logo design, advertising and packaging, branding and creative industries, banners and billboards and signage as well as web and screen design.


Logopedia Next Rounded” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.


The designation “Logopedia Next Rounded 500 Regular” forms the central point. “Logopedia Next Rounded” comes 3 weights and italics total 6 types. The family contains a set of 543 glyphs.


Classes and Features, Stilistic Style, Fractions and Old Style Numerator just one touch easy In all graphic programs.


Logopedia Next Rounded” is the perfect font for web use.


Be sure to check out the other siblings of “Logopedia”.

- Logopedia Now

- Logopedia Now Rounded

- Logopedia Next

- Logopedia Next Rounded


You can enjoy using it.

 



Logopedia Next Rounded


Logopedia Now Rounded fonts from Bülent Yüksel - (lqvty)

Logopedia Now Rounded
Designed by Bülent Yüksel, Logopedia Now Rounded is a display sans font family. This typeface has six styles and was published by Bülent Yüksel.


What makes “Logopedia Now Rounded” unique is that it has a strong body, upper and lower case letters are the same size and work in perfect harmony.

All letters in the character have “alternatives” in various numbers. This feature provides you variety in your designs. It is possible to take your designs to the next level by using “Logopedia Now Rounded”.

Logopedia Now Rounded” is ideal for especially logo design, advertising and packaging, branding and creative industries, banners and billboards and signage as well as web and screen design.

Logopedia Now Rounded” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.

The designation “Logopedia Now Rounded 500 Regular” forms the central point. “Logopedia Now Rounded” comes 3 weights and italics total 6 types. The family contains a set of 543 glyphs.

Classes and Features, Stilistic Style, Fractions and Old Style Numerator just one touch easy In all graphic programs.

Logopedia Now Rounded” is the perfect font for web use.

Be sure to check out the other siblings of “Logopedia”.

  Logopedia Now
  Logopedia Now Rounded
  Logopedia Next
  Logopedia Next Rounded

You can enjoy using it.



Logopedia Now Rounded


Tuesday, May 4, 2021

Wireline JNL fonts from Jeff Levine Fonts - (vtzwi)

Wireline JNL
Designed by Jeff Levine, Wireline JNL is a display and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


Inspired (in part) by a vintage photo of a storefront neon sign for Cushman’s Furs, Wireline JNL is a thin monoline font with the appearance of bent wire characters.

The font is available in both regular and oblique versions.



Wireline JNL


Monday, May 3, 2021

Theater Bar JNL fonts from Jeff Levine Fonts - (hxxez)

Theater Bar JNL
Designed by Jeff Levine, Theater Bar JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


The name and design inspiration for Theater Bar JNL comes from an image of an old bar with an overhead neon sign in very stylized sans serif lettering (most likely from the 1940s) and is available in both regular and oblique versions.



Theater Bar JNL


Saturday, May 1, 2021

SK Seren fonts from Salih Kizilkaya - (ayach)

SK Seren
Designed by Salih Kizilkaya, SK Seren is a display, display sans and retro font family. This typeface has ten styles and was published by Salih Kizilkaya.


SK Seren is a clean, double weight and semi-serif font family. This font family, which you can use in long texts or headlines, logos and posters you will design without hesitation, manages to stand out even in the most crowded environments.

As you can easily use in print and web design, this is the only font you need in every medium. This family consists of 10 different fonts and 5890 glyphs. In this way, it contains all the typographic materials you will need in your design and offers full support to the Latin alphabet.

This font family is a new version of the first font I designed while studying college in 2018. This version includes many new glyphs that were not available in the first version, and all bugs found in the first version were fixed and kerning settings were reconfigured.



SK Seren


Thursday, April 29, 2021

Office Visit JNL fonts from Jeff Levine Fonts - (ecfug)

Office Visit JNL
Designed by Jeff Levine, Office Visit JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


Dan Hardie, a Miami-based graphic artist and creative consultant at Mutiny, Inc. shared an image he’d spotted online of some interesting signage formerly on the front of the Miami Medical Building.

Comprised of hand-cut metal characters (with a thoroughly avant-garde “Art Deco meets Modernist” approach), this instantly became a font design idea unusual and quirky enough to develop as a digital typeface.

The end result is Office Visit JNL, which is available in both regular and oblique versions.



Office Visit JNL


Saturday, April 17, 2021

[arcafrirka] Download Otterco Fonts Family From Adam Ladd

Download Otterco Fonts Family From Adam Ladd
Designed by Adam Ladd, Otterco is a display sans and sans serif font family. This typeface has thirty-two styles and was published by Adam Ladd.

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Otterco is a geometric sans serif font family with varied round and narrow characters. Blending a touch of retro and modern qualities, this typeface is clean and neutral but not boring. It’s professional yet unique and fun. The contrast in character widths creates a distinct visual rhythm and the vertical cut terminals keep it consistent, strong, and sharp looking. Constructed with a large x-height and low stroke contrast, it can fit a variety of applications.

Coming in both Normal and Display families, the fonts can be used for even more settings and tone of voice. The Normal design has a little less width contrast between characters and looser spacing—good for both small and large text. While the Display design has more character width contrast and tighter spacing—good for larger, attention-getting text.

With 32 total fonts in thin through extra bold weights (plus italics), Otterco is well suited as both a versatile text and display font for branding, advertising, packaging, headlines, magazines, websites, logo designs, and more.

Otterco’s features include:

• Normal and Display families (32 total fonts)
• Stylistic alternates (K, M, R, a, k, &)
• Case-sensitive punctuation for All Caps
• Arrow icons
• Fractions, numerators, denominators
• Superscript, subscript

Having almost 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.


Download Otterco Fonts Family From Adam Ladd
Download Otterco Fonts Family From Adam Ladd



Download Otterco Fonts Family From Adam Ladd


Thursday, April 15, 2021

[tpkxrpsnvh] Download Wireline JNL Fonts Family From Jeff Levine Fonts

Download Wireline JNL Fonts Family From Jeff Levine Fonts
Designed by Jeff Levine, Wireline JNL is a display and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.

Download Now
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Inspired (in part) by a vintage photo of a storefront neon sign for Cushman’s Furs, Wireline JNL is a thin monoline font with the appearance of bent wire characters.

The font is available in both regular and oblique versions.


Download Wireline JNL Fonts Family From Jeff Levine Fonts
Download Wireline JNL Fonts Family From Jeff Levine Fonts



Download Wireline JNL Fonts Family From Jeff Levine Fonts