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| Designed by Adrian Talbot, Kelso Round is a display sans font family. This typeface has six styles and was published by Talbot Type. |
Kelso Round is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. A friendly and distinctive typeface that’s both easy to read and easy on the eye. Also available as Kelso, with sharper edges.
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| Designed by Adrian Talbot, Kelso Round is a display sans font family. This typeface has six styles and was published by Talbot Type. |
Kelso Round is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. A friendly and distinctive typeface that’s both easy to read and easy on the eye. Also available as Kelso, with sharper edges.
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| Designed by Rodrigo Araya Salas, Bruno Jara and Andrey Kudryavtsev, Ripster is a display sans and hand display font family. This typeface has six styles and was published by Rodrigo Typo. |
Ripster, is a typeface family of 6 variants (Regular, Inline, Shadow, Soft, Soft Inline, Soft Shadow.) especially for titles, with very dynamic and strange shapes, it also contains Cyrillic alphabet such as Greek.
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| Designed by Jeff Levine, Foreign Film JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.
According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”
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| Designed by Jeff Levine, Foreign Film JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.
According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”
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| Designed by Jeff Levine, Foreign Film JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.
According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”
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| Designed by Jeff Levine, Foreign Film JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.
According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”
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| Designed by Hendry Juanda, Pompano is a display sans and hand display font family. This typeface has two styles and was published by Letterhend Studio. |
Pompano is an organic sans serif typeface which is purposely made for headline, display or logotype. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- regular & stamp version
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates & ligatures
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Designed by Hendry Juanda, Pompano is a display sans and hand display font family. This typeface has two styles and was published by Letterhend Studio. |
Pompano is an organic sans serif typeface which is purposely made for headline, display or logotype. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- regular & stamp version
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates & ligatures
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Designed by Christoph Zeugswetter, Vienna Woodtype is a display sans and wood type font family. This typeface has two styles and was published by xtoph. |
This font is based on real prints made out of a linocut.
The glyphs were handprinted, then scanned and then turned into a computer font.
*An additional font file (Vienna Woodtype SVG.ttf) is included as an attachment when you purchase this product. Due to its large size, it is not listed with the other two fonts. It will be inside of a subfolder called “References”.
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| Designed by Rian Hughes, Disclosure is a display and display sans font published by Device. |
Disclosure is suggestive of low-grade digital output, screen displays, fax machines, or high-speed data transfer. It is missing vertical sections, perhaps due to a faulty print head or signal degradation. It is intentionally monospaced — each letter has the same width, like a typewriter — and unkerned. Suitable for uses where an unfussy urgency and drama is required. Developed from the 112 Hours numbers-only font, Throughput.
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| Designed by Rian Hughes, Disclosure is a display and display sans font published by Device. |
Disclosure is suggestive of low-grade digital output, screen displays, fax machines, or high-speed data transfer. It is missing vertical sections, perhaps due to a faulty print head or signal degradation. It is intentionally monospaced — each letter has the same width, like a typewriter — and unkerned. Suitable for uses where an unfussy urgency and drama is required. Developed from the 112 Hours numbers-only font, Throughput.
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| Designed by Oğuzhan Cengiz, Berina is a display sans font family. This typeface has six styles and was published by Hurufatfont Type Foundry. |
Berina; It is inspired by the contrast and elegance of the texts on the handcrafted posters. It has a wide usage area with 6 different versions. Ideal for creative work in industries such as packaging, branding, textiles. It is user friendly with arrows, ornaments and rich opentype features.
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| Designed by Pablo Balcells, Tuerca is a display sans font family. This typeface has eight styles and was published by Graviton. |
Tuerca font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a slightly extended sans serif typeface with a strong technical appearence. Its squared, angular shapes provide a futuristic and robust aesthetics. It has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks.
Tuerca consists of 8 styles, each containing small caps and glyph coverage for several languages.
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| Designed by Pablo Balcells, Tuerca is a display sans font family. This typeface has eight styles and was published by Graviton. |
Tuerca font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a slightly extended sans serif typeface with a strong technical appearence. Its squared, angular shapes provide a futuristic and robust aesthetics. It has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks.
Tuerca consists of 8 styles, each containing small caps and glyph coverage for several languages.
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| Designed by Pablo Balcells, Tuerca is a display sans font family. This typeface has eight styles and was published by Graviton. |
Tuerca font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a slightly extended sans serif typeface with a strong technical appearence. Its squared, angular shapes provide a futuristic and robust aesthetics. It has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks.
Tuerca consists of 8 styles, each containing small caps and glyph coverage for several languages.
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| Designed by Jakob Fischer, Grid Hero is a display sans font family. This typeface has four styles and was published by Pizzadude.dk. |
100.000 years ago years ago, a group of mad scientists from the far away planet ZyrXX, encountered the earth and just waited to conquer the planet. Their masterplan was to use electronic brain waves to manipulate our minds.
Sounds cheesy and comic, right? Well, that is the true story about this font. The font was built using a grid (hence the name!) and all I had in mind, was a mixture of old sci-fi movies and computer graphics from the 80ies. I did my best to recall and re-create this - I will let you be the judge to decide whether I succeeded! :)
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| Designed by Jeremy Dooley, Solitas Contrast is a display sans font family. This typeface has forty-two styles and was published by Insigne Design. |
This sleek, high contrast typeface means business, but it looks great on any project, no matter how big or small.
Solitas Contrast was developed because existing high contrast sans options were neither modern nor crisp. This design challenge was solved through a series of typefaces: the original low-contrast Solitas, its serifed cousins, and now a high contrast sans—each carefully considered for an organic and free flowing look. It evokes a Dutch or european feel.
Solitas Contrast is a modern, clean sans-serif with a distinctive style and impact.
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| Designed by Jan Tonellato, Contralto is a display sans font family. This typeface has forty styles and was published by Synthview Type Design. |
Contralto is a high contrast sans-serif font family, crafted to look elegant but contemporary thanks to soft humanist shapes mixed with sharp geometric details.
Contralto comes in 40 styles: 5 weights × italics × 4 optical sizes, to help optimising contrast and readability. However, you can also use them to fine tune the mood of your graphical composition.
Contralto’s generous character set and Opentype features let you meet the most demanding layout needs and lets your creativity fly!
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| Designed by Hendry Juanda, Dankfield is a display sans font family. This typeface has four styles and was published by Letterhend Studio. |
Introducing, Dankfield. A modern display typeface with high contrast and condensed style, very suitable for futuristic and techno theme. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- Uppercase & lowercase (alternates)
- Numbers and punctuation
- Stylistic alternates
- multilingual
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
