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| Designed by Andriy Konstantynov, Ki is a sans serif font family. This typeface has fourteen styles and was published by Mint Type. |
Ki is a monospaced typeface inspired by older VCR / camcorder OSD (on-screen display) fonts. It is peculiar for its diagonal angles being restricted to 45°, which results in a specific textural effect, very legible in small text sizes.
Ki comes in 7 weights with corresponding italics, and features extensive language support with over 500 glyphs, including Cyrillic.
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| Designed by Måns Grebäck, Quache is a sans serif font family. This typeface has twenty-eight styles and was published by Måns Grebäck. |
Quache is a flexible sans-serif, created by Måns Grebäck between 2018 and 2020.
It has unique, stylish curvatures and is clear, legible and sharp with open letter forms.
The font family consists of six weights and four widths, totaling in 28 main styles: Thin, Light, Regular, Bold, Black, Heavy and Condensed, Normal, Expanded, ExtraExpanded
It supports Latin-based languages, and contains numbers and all symbols you’ll ever need.
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| Download Quache Fonts Family From Måns Grebäck |
Designed by Jakob Fischer, Spatchers is a comic and hand display font family. This typeface has two styles and was published by Pizzadude.dk.
Spatchers is a smooth and lively comic book font. I have added 4 slightly different versions of each lowercase letter, and that makes your text look more natural and funky!
Delirian is a script and dingbat font family. This typeface has two styles and was published by Aurora Type Co.
Delirian is elegant script with contemporary mood and perfect forms, inspired by immortal classic calligraphy. Not too thin and not too thick, good balanced and variable, born for luxury and beauty. In my examples I show how this script can be used. It’s great for logotypes, branding, wedding invitations, romantic cards, alcohol labels, packaging, spelling of names and others.
Delirian Script comes with beautiful Uppercase and Lowercase letters, numbers and punctuation. In addition to the main character set, there are 158 alternates characters, 36 ligatures and 10 lengths of end-swashes. You also get Ornament set of 26 elements which harmoniously complements original script.
Script support Western European characters and works with following languages: English, Croatian, Danish, Dutch, Estonian, Faroese, Filipino, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish.
Opentype
Stylistic Alternates works on the principle of simple combinations with activated Standard Ligatures option in Opentype panel (Adobe Photoshop, Adobe Illustrator).
To get alternate just add for example number 2 (two) after any letter. Every Uppercase has 1-2 variations and Lowercase about 3-4 alternate characters.
For example:
A2 A3 - Uppercase;
a2 a3 a4 - Lowercase;
a.1 a.2 - Lowercase with underline.
_1 _2 _3 - End-swashes
Ligatures works with activated Discretionary Ligatures option in Opentype panel.
This special features don’t work in Microsoft Word.
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| Designed by Natanael Gama, Gluy is a sans serif font family. This typeface has twenty styles and was published by Ndiscover. |
Gluy is geometric humanist hybrid. It blends the two categories into one design. Mixing geometric rational shapes with a touch of organic calligraphic forms. Comprises a total of 20 styles and supports most Latin languages and Cyrillic. Ideal for branding but very versatile. It can be used in many contexts from print to web.
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| Designed by Ana Parracho, Smoke Signals is a multiple classification font family. This typeface has four styles and was published by Ana's Fonts. |
Smoke Signals is a calligraphy font handmade using a real dip pen and ink with lots of bonus goodies.
Smoke Signals includes:
- tons of ligatures for a smoother text
- small caps that act as an all caps font
- a bonus set of ornaments
- a bonus set of grunge elements, such as splatters, ink blots, scratches
- a bonus set of 10 paper textures scanned from old record sleeves and old notebooks
Smoke Signals is perfect for any design that needs a vintage calligraphy look. Use it in signatures and logos, notes and quotes, social media posts, and branding and packaging.
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| Designed by Måns Grebäck, Quache Variable is a sans serif font published by Måns Grebäck. |
Quache is a flexible sans-serif, created by Måns Grebäck between 2018 and 2020.
It has unique, stylish curvatures and is clear, legible and sharp with open letter forms.
This is a variable font. It is only one font file, but this file contains multiple styles.
Use the sliders in Illustrator, Photoshop or InDesign to manually set any weight and width.
This gives you not only the 28 predefined styles, but instead 1000 times 1000 options to customize the type to the exact look your project requires.
It supports Latin-based languages, and contains numbers and all symbols you’ll ever need.
More info about Variable Fonts: https://mansgreback.com/s/About_Variable_Fonts.pdf
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| Designed by Emre Güven, Crosstenv2 is a sans serif font family. This typeface has twenty styles and was published by Guintype. |
Crossten’s “modern geometric sans” family consists of 20 fonts.
All family fonts contain 370 glyphs and are equipped with many typographic features.
Crossten Text is designed for those who prefer to use single-coded fonts not only in coding but also in many different graphic design environments. Idea; It came from creating a font with a single-spaced aesthetic, without breaking the soft, single-spaced fonts.
Crossten is a geometric sans single-spaced font with all typographic features except space and character spacing.
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| Designed by Manuel Viergutz, Boom peng Pow is a comic and dingbat font published by Typo Graphic Design. |
The typeface Boom pang Pow is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz.
A collection of comic and pop art elements like Speech Bubbles Catch Words, Punction Symbols, Boom, Pow, Bang … with various layers for colouring.
1 font-style (Comic) with 248 glyphs (Adobe Latin 1).
For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size.
Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!
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| Designed by Jakob Fischer, Scratchers is a display font family. This typeface has two styles and was published by Pizzadude.dk. |
Scratch me here and scratch me there - use my font to get some atmosphere
A quirky sans with scratchy lines, with contextual alternates with 4 different versions of each lowercase letter + multilingual support!
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| Download Scratchers Fonts Family From Pizzadude.dk |
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| Designed by Val Kalinic, Technical Stencil VP is a stencil font family. This typeface has ten styles and was published by VP Type. |
Technical Stencil VP is the stenciled version of Technical Standard VP and the two typefaces can be used either on their own or together seamlessly.
The initial inspiration for their design came from examining the various types of precisely machined labels on tools from cameras to cars, which need to be perfectly legible at all sizes. The unique streamlined look such processes achieve was carefully reinterpreted and the resulting fonts are at the same time robust and stylish, both universal and unique. Technical Stencil VP includes ten distinct styles, offering great versatility.
All styles in this family include an extensive Latin character set, the Greek alphabet, multiple sets of numerals, a large set of punctuation marks, and other symbols. With 1120 glyphs in each style, it guarantees full support for all Latin languages. To make the family even more powerful, twenty OpenType features are included, such as multiple vertical positions, diagonal fractional forms, optional slashed zeros, separate old-style and lining figures, small capitals, and contextual alternates.
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| Download Technical Stencil VP Fonts Family From VP Type |
Designed by Tim Gengler, Afire is a sans serif font family. This typeface has twelve styles and was published by Bunny Dojo.
Afire is a sans-serif of understated warmth and elegance. Through clean legibility and gentle embellishment, Afire delivers lively bounce with sophistication.
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| Designed by Julieta Ulanovsky and Sol Matas, Confitería is a script and dingbat font family. This typeface has eighteen styles and was published by Sudtipos. |
Confitería is the Spanish word for a shop where sweets and chocolates are made and sold, which sometimes has a tea room. And now Confitería is also a font that brings to mind lettering piped on delicate cakes ... sweet but never sickly.
This font captures something of that simple and innocent beauty of traditional confiterías, where good manners will never go out of fashion, menus are elegant and time comes to a standstill to make way for life’s little pleasures. A confitería is a perfect place to share sweet tidbits with a friend or date, eavesdrop on the conversation at the next table, read a book, or just people-watch from the window. I celebrated my last birthday at one.
There is one iconic confitería in Buenos Aires that I love more than the rest because, some 60 years ago, it put up its marvellous sign and never took it down. Walking by it is sure to bring a smile to your face. It’s big. Very big. And the lettering in its name is written in a timelessly beautiful vertical script – the most attractive I have ever seen.
I joined forces with Sol Matas – who worked with me to update the Montserrat font –to design this geometrical connected font with pleasant, even strokes. It is elegant and saccharine-free. And to top it off, it comes in several flavors.’
Welcome! What can we get you?
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| Download Confitería Fonts Family From Sudtipos |
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| Designed by Rosario Nocera, Osaca is a display sans and sans serif font family. This typeface has twelve styles and was published by Rosario Nocera. |
Osaca is a sans serif font family inspired by nature and it is composed of 6 weights, from extra light to heavy, including the matching italics.
Osaca is a typeface that doesn’t go unnoticed due to its particular design: its curves and lines mirror the typical motif of leaves.
Osaca is ideal for large and medium headers and titles, but also perfectly suitable for short or large paragraphs as it creates an effect that is quite different from the classic sans-serif and definitely unique.
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| Download Osaca Fonts Family From Rosario Nocera |
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| Designed by Diego Maldonado, Wright is an art deco and sans serif font family. This typeface has forty-eight styles and was published by Latinotype. |
Wright is a sans-serif geometric typeface inspired by the lettering found on modernist building plans. An elegant small x-height, tall ascenders and wide capital letters make the font look great in titles and short paragraphs.
Wright consists of 4 subfamilies, each in 6 weights plus italics—48 fonts in all. Its wide range of alternates and ligatures make it an ideal workhorse suitable for a variety of projects and give your designs a stylish appearance and unique look.
As you would expect from Latinotype, this font comes with a standard set of 800 characters and supports over 200 Latin-based languages.
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| Download Wright Fonts Family From Latinotype |
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| Designed by Francesco Canovaro and Andrea Tartarelli, Blacker Sans Pro is a sans serif font family. This typeface has sixty-three styles and was published by Zetafonts. |
Blacker Sans Pro is a complete redesign and development of the original family designed by Francesco Canovaro in 2019 as a sans-serif variant of the successful Blacker created by Cosimo Lorenzo Pancini and Andrea Tartarelli. The original idea of Blacker Sans was to create a versatile pairing for Blacker, parting with its spiky wedge serifs but keeping its dark, elegant character and extending its weight range to 20 weights including italics.
This Blacker Sans Pro family did also differ in contrast from the original Blacker family, choosing a more even and monolinear, almost grotesque approach. This choice that favored versatility over elegance left some of the original uses of Blacker not covered by its sans counterpart, and so two subfamilies were added, applying to the same skeleton varying degrees of contrast, from the readability-optimized medium contrast of Blacker Sans Text to the extreme variations of Blacker Sans Display, with its elegant juxtapositions of thin curves and thick black slabs.
The original signature details of Blacker, like the hook shape of lowercase “f”, have been complemented by new alternate forms, ligatures and swashes, with stylistic sets providing options to easily make logos and headings stand out. The wide range of OpenType features (that includes also small caps, positional numbers, and alternate punctuation) is applied to all the 60 weights of the family, each with over 1600 characters offering language support for 220+ languages using Latin, Cyrillic and Greek alphabets.
Ready to make your text look gorgeous? Ditch your usual sans-serifs and try Blacker Sans Pro!
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| Download Blacker Sans Pro Fonts Family From Zetafonts |
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| Designed by Jeff Levine, Tryout Nouveau JNL is an art nouveau font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The hand lettered Art Nouveau title on the sheet music for “Why Don’t You Try” (1905) served as the inspiration for Tryout Nouveau JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Store Clerk JNL is a display sans font family. This typeface has four styles and was published by Jeff Levine Fonts. |
The cover of the 1929 sheet music from the First National/Vitaphone picture “The Girl from Woolworth’s” had its title (“Someone”) hand lettered.
This single word title was the model for Store Clerk JNL, which is available in both regular and oblique versions as well as solid and solid oblique versions (without an inline).
A bold, casual sans serif with rounded ends and an inline, Store Clerk JNL is perfectly suited for projects where a strong, yet playful title is necessary to grab the reader’s attention.
For those old enough to remember, Woolworth’s was a leading “Five and Dime” store chain, especially in the days when a nickel or a dime actually could purchase something.
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| Designed by Tudor Banciu, Hipstravaganza is a display font published by tudy1311. |
This one is all about a flashy retro style. I wanted to create something with a bit more ‘bang’. So I set out to make a mixture between blocks and parallel lines.
Because it is an all caps font, I decided to make the lowercase set into a second set of glyphs. They are similar to the caps, but with less blocks in the letters. I included all glyphs from LatPro, except for two ligatures.
It is pretty niche, and it works best as the centerpiece of a poster or as a foreground in front of photos. Due to it’s complex shapes, it’s a little difficult to pair up with too many other elements and fonts, but it’s certainly an eye catcher!
In very small it creates moire, but also if seen from afar, the parallel lines create a sort of illusion of partial transparency.
Designed by Jeff Levine, Stencil Chamfer JNL is a display slab and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.
The packing information stenciled on an antique wooden crate included a slab serif type style with chamfered corners. This design has now been re-drawn as the digital typeface Stencil Chamfer JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Slabserif Wood JNL is a display serif and slab serif font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Vintage wood type with a strong Clarendon influence served as the model for Slabserif Wood JNL, which is available in both regular and oblique versions.
Designed by Hendry Juanda, Stone Masher is a script font published by Letterhend Studio . Download Now Server 1 Download N...
